mention of any of the globe makers of the time, his reference to the subject seems to assure us that globes were objects more or less familiar to students of geography in his day.
Fiorini cites at some length an inventory relating to the printing establishment of Alexander Rosselli of Florence, under whose father, Francesco, this establishment became famous.134 The father died in the year 1510, but it is probable that this artist, painter, and miniaturist, who issued for his establishment numerous maps, printed, likewise, globe gores. While the inventory gives us intimation of his great activity, we have no further knowledge of his work as a globe maker than is contained therein. It may well have been that the construction of globes with printed gore maps had its origin in Florence in the very early sixteenth century, and that a credit we have been accustomed to give to German map makers135 is in reality due the Rosselli family of Italy, particularly Francesco Rosselli.
Fiorini likewise alludes to a letter written by Friar Zenobio Acciaioli, dated Lucca, May 12, 1509, and addressed to the Florentine, Luigi Pietro Guicciardini, brother of the distinguished historian.136 Request is made in this letter that assistance and advice be given to a brother monk, Barnaba Canti, who had been asked to describe a map on which the newly discovered lands were well drawn, there being written on the map the history of the islands, with a description of the lands and of the customs of the peoples. Attention is likewise called to a globe which Canti possessed, it being designated as “sphaerula” or small. The letter further notes, “Cupit autem illam Joannes teutonicus astrologus, ut ex suis ad me literis quas inclusas tibi in his mitto, videre poteris.” “John the German astronomer desires this (map?) as you will be able to see from his letters to me which enclosed I send to you.”
It is ingeniously argued that the Joannes referred to was none other than John Schöner, who later became famous as mathematician and as map and globe maker, and that the globe referred to by Acciaioli was one in the construction of which the globe gores of Rosselli had been used, since “Joannes teutonicus” in all probability would not have thought of receiving from Italy a manuscript globe.
For the history of globe making as practiced in Florence in these early years, there is in the record of the deliberations of the Florentine Signoria, dated December 30, 1515, an entry of interest.137 The Priors and Gonfaloniers directed attention to the sphere, which had been placed in the orologia or clock room, noting that the terrestrial orb which had been painted thereon was greatly damaged, “… super qua depicta est figura et situs orbis terrarum … devastata et male picta.” They expressed a desire that it should be fully repaired and be made suitable as an adornment of the wonderful clock, and in keeping with the remarkable celestial sphere which was placed near by: “ut similis sit et non discrepet, in sua qualitate, a mirabili orologio predicto, et a convicina et mirabili palla, ubi apparet figura et ambitus celi.” Having knowledge of the ability and skill of Friar Giuliano Vannelli, it was decided to entrust the reconstruction to him. We learn that on June 28, 1516, the Signoria directed payment of fifty large florins be made to Friar Giuliano, in addition to the six already paid, for the painted sphere; that on July 17, 1516, the officers of the Monte Comune directed the payment of fifty-six large gold florins to “Don Giuliani Vanegli” “in appreciation of his work, and as a reward for having made one of the two balls of the clock, which is in the large room of the Signoria, which ball he both designed and painted, showing on it the entire universe, according to Ptolemy and other authors who deal with the subject.” Fiorini notes that as at this time the terrestrial sphere was damaged it probably was several years old, and that if badly painted (male picta) the inference is, it failed to record the latest discoveries. If the exact date of the construction of the spheres which adorn this clock cannot be ascertained, it was at least before 1500.138
We have further evidence of Vannelli’s interest in globe construction contained in a letter dated Rome, November, 1524, and addressed to Cardinal Giovanni Salviati, a legate of Lombardy. “Your Excellency has asked me to make for you a small ball de situ orbis, of the size and character of that of Giovanni Ruccellai. … I have made the said ball, and have varnished it, but the weather being bad it will not be dry for eight or ten days. … Your Excellency also tells me that you would like to have a large globe similar to that of Mons. R. Rodulphis, which I have begun. If you desire that I should go on with the work, I shall willingly do so, putting aside all other work to serve you.”139
To the interest in globe making north of the Alps in the first quarter of the sixteenth century attention may next be directed. In a letter written by Johannes Trithemius to Vuilhelmus Veldicus Monapius, dated August 12, 1507, may be found an early allusion to globes. He says: “Orbem terrae marisqui et insularum quem pulchre depictum in Vuormotia scribis esse venalem, me quidem consequi posse obtarum, sed quadraginta pro illo expendere florenos, nemo mihi facile persuadet. Comparavi autem mihi, ante paucos dies, pro aere modico sphaeram orbis pulchram in quantitate parva …” “I wanted to buy a finely painted globe of the earth, seas, and islands, which I wrote was for sale in Worms, but I could hardly be induced to give such a price for it as forty florins. I purchased, however, a few days since at a low price, a beautiful terrestrial globe of small size.”140 He wrote further, “Henricum de Bunau dies vita audini defunctum, sed libros eius et globum cosmographiae quem alim comparavit ex officina tua remanisse apud Saxoniae Principes, quod tu existimas non audini.” “I am informed that Henry Bunau died some time ago, but I never heard it said that his books and the cosmographical globe which he bought in your work-shop remained with the Princes of Saxony, as you believe.”141 It has been thought by some that the globe referred to as having been purchased in Worms was the globe of Waldseemüller.
Since the discovery in 1902 of the long-lost Waldseemüller maps of 1507 and of 1516 by Professor Joseph Fischer, S.J., in the library of Prince de Waldburg-Wolfegg (Fig. 30), great interest has centered especially in the work of that early German map maker. As the new transatlantic discoveries of the Spanish and the Portuguese greatly quickened interest in geographical science and made necessary the construction of new maps in rapid succession, Germany, already a land in which the renaissance spirit had found an enthusiastic reception, and whose people were awake to every new interest, soon became a center for the spread of information concerning the new regions. Commercially important trade cities of this country had been for some time in intimate touch with the important maritime trade centers of Spain and Portugal. Word of the newest discoveries was quickly carried over the Alps to France and to Germany, and the latest publication of the writer on matters geographical had its references to the parts of the world newly found of which Ptolemy had not known.
Fig. 30. Castle of Prince Waldburg de Wolfegg.
One of the first German geographers of the century, and now justly famed as one of the most distinguished of the period, was Martin Waldseemüller (ca. 1470–1522 ca.), whose name, according to the practice of the time, was classicized as Hylacomylus.142 So significant was the influence of Waldseemüller in the mapping of the New World that a somewhat detailed word concerning him may here well be given. When Duke René of Lorraine (1451–1508) became a patron of learning, with particular interest in cosmography or geography, the cartographical studies of the Germans began to have a place of far-reaching importance. It was under this enlightened duke that the little town of St. Dié became a center of culture. Here was organized the Vosgian Gymnasium,143