Giuliano’s death.
And Giuliano was gravely ill ever since the beginning of the year, if not before; and some time in August or September he died.[125] He had been suffering long from a chronic and most painful illness; and towards the end, “he became very impatient; and Catherine, fearful lest he should lose his soul, withdrew into another chamber, and there cried aloud for his salvation unto her tender Love, ever repeating with tears and sighs these words alone: ‘O Love, I demand this soul of Thee; I beg Thee, give it me, for indeed Thou canst do so.’ And having persevered thus for about half-an-hour with many a plaint, she was given at last an interior assurance of having been heard. And returning to her husband, she found him all changed and peaceful in his ways, and giving clear indications, both by words and signs, that he was fully resigned to the will of God.” And “some time after his death she said to a spiritual son of hers,” no doubt Vernazza: “‘My son, Messer Giuliano has gone; and you know well that he was of a somewhat wayward nature, whence I suffered much mental pain. But my tender Love, before that he passed from this Life, certified me of his salvation.’ And Catherine, having spoken these words, showed signs of regret at having uttered them; and he was discreet and did not answer this remark of hers, but turned the conversation to other topics.”[126] At all events this conversation is thoroughly authentic, and Catherine’s reserve, and her regret at having somewhat broken through her usual restraint, are profoundly characteristic: the contributors to and redactors of her Life have been increasingly blind, or even opposed, to all such beautifully spontaneous and human little shynesses and regrets for momentary indiscretions.
3. Giuliano’s Will.
Giuliano had, by his Will of the 20th October 1494, ordered his body to be buried in the Hospital Church; and this was now carried out by Catherine. A vault of some dimensions must have been made or bought, since later both she herself and Argentina del Sale declared their wish to be buried in Giuliano’s “monument.” Perhaps the wish of the latter was carried out.
But Giuliano had left two far more important and difficult matters to the management of Catherine,—matters which, indeed, were respectively full of pain and of anxiety for her,—Thobia, and his share in the Island of Scios. As to Thobia, he had left £500 to the Protectors of the Hospital, among which were reckoned £200 which he had already paid them through his late mother, Thobia Adorna, for the keep of this daughter of his, and had warmly recommended her to their kind care; and had arranged, in case they refused this responsibility, that Thobia (who must by now have been quite twenty-six years of age) should be regularly paid the interest on this money. He also left to Catherine, for payment to “a certain person in Religion,”—possibly a member of a Third Order, and whose identity is carefully concealed, but who cannot fail to be Thobia’s mother—“£150, in repayment of the same sum, borrowed from her by himself and the said Catherine,”—money which this poor mother will have spent on the child’s keep, up to the time when Giuliano told his story to Catherine.
As to his two carati (shares) in the lands of the Island of Scios, farmed by the Genoese Merchant Company “Maona,” he desires that, if sold, his cousins Agostino and Giovanni Adorno shall be able to buy these carati for a lower price than would be required of any other purchaser. There are also elaborate conditions and alternatives attached to a legacy of £2,000 to his unmarried nephew Giovanni Adorno, with a view to his marrying and having legitimate children: an anxiety which of itself would show how sincere had been Giuliano’s own conversion, and which was evidently not far-fetched, since in this very Will he leaves £125 to a natural sister of his, Catherine, daughter of his father Jacobo, for the boarding (no doubt during the latter years of her life) of his late mother, Thobia Adorna.
Giuliano had also left Catherine herself £1,000,—a return of her marriage dowry, and £100 from himself; and in addition “all garments, trinkets, gold, silver, cash, furniture, and articles of vertu, which might be found either in his dwelling-place or elsewhere.” And he does so because he “knows and recognizes that the said Catherine, his beloved wife and heiress, has ever behaved herself well and laudably towards himself,” and “wants to provide the means for her continuing to lead, after his death, her quiet, peaceful, and spiritual mode of life.” And he adds the condition that, “if the said Catherine were to proceed to a second marriage (a thing which he does not think she will ever do), then he deprives her of all the legacies and rights and duties of heirship mentioned in this Will, and confers them upon the honourable Office of the Misericordia of Genoa,”—a society with and for which, as we have seen, Catherine had worked so much and so well.
Altogether Giuliano had left by this Will about £6,000 for Catherine to allot and appropriate; and quite £4,000 of this sum-total demanded careful and even anxious consideration, whilst £650 of it could not but provoke painful memories and make a call upon all her generosity. And by his Codicil of January 1497, he had given her still greater latitude of action, by declaring that, as regarded his legacy to the Hospital, Catherine should have full power and leave to abrogate or to modify it, according to her will and pleasure.[127] Thus these documents constitute an impressive proof of Giuliano’s full trust in the wisdom, balance of mind and magnanimity of his wife, now herself already so broken in health.
4. Catherine’s execution of Giuliano’s Will.
It is nine months after Giuliano’s death, on May 19, 1498, that we can watch and see how Catherine has been attempting to execute her trust, and how her nature has responded to these various difficult calls upon it, and to the claims of her own family. She first of all, then, orders her body to be buried in the same grave with her husband, in the Hospital Church; and that only the Friars and Clergy of the Hospital shall be present at the funeral; and leaves £10 for her obsequies and £50 for Masses for herself. She next leaves to the Priest Blasio Cicero four shares of the Bank of St. George (about £200), of which he is to pay £150 to a certain female Religious, in satisfaction for a certain debt. And she abrogates Giuliano’s legacy to the Hospital, and, in its place, herself leaves it four shares of St. George’s (at the time about £200, but always tending to increase in value), in liquidation of the £300 that remained unpaid from among the £500 of that legacy. She next leaves to Benedetta Lombarda one share of Saint George’s, in addition to the similar share left her by Giuliano; and to “Antonietta, dwelling with Testatrix, £25, in case she shall live with her up to her death.” As to the two carati, she leaves them to Giovanni Adorno, in lieu of the money bequeathed to him by Giuliano. As to her own relations, she leaves two shares of St. George’s apiece to her two nieces Maria and Battista, the daughters of her eldest brother Jacobo, for their marriage portions; and, if they all die before marriage, then all this money is to go to their father. She leaves £10 to her Augustinian Canoness sister Limbania; and institutes her three brothers Jacobo, Giovanni and Lorenzo, and their heirs, her residuary legatees.
Here four things are noticeable. Catherine has herself undertaken the expenses of Thobia’s keep; the apparent lessening on her part of the sum originally apportioned for the purpose by Giuliano is doubtless only apparent, and must proceed from the same cause which has produced a similar apparent diminution in the amount of Giuliano’s legacy to his nephew from £2,000 to £1,500. In the next place, this is the only one out of the couple’s four Wills, in which the second maid is not Mariola Bastarda, but a certain Antonietta. Catherine feels uncertain as to whether Antonietta will persevere in her service to the end; and we shall find that she has again disappeared in Catherine’s next Will of 1506, and that Mariola has again taken up her old place. We shall find that a story, of which the authenticity and significance are most difficult to fix, attaches without doubt to one or the other of these maids. In the third place, Catherine does not sell the two carati, but leaves them, in lieu of the money bequeathed to him, to Giovanni Adorno; no doubt from the feeling that thus, at her death, this her share in the government and exploitation of the Greek island would be in the hands of a man in the prime of life, who could help to check malpractices. And lastly, she shows a generous forgiveness of Giuliano, a delicate magnanimity towards Thobia and Thobia’s mother, and a thoughtful affection for all her own near and grown-up relations, by ordering her body to be buried in the same grave with Giuliano; by herself undertaking the charges of Thobia’s