Arthur Thomas Malkin

The Gallery of Portraits (All 7 Volumes)


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      It would be an interesting inquiry to follow Copernicus through the train of reasoning which induced him to venture upon these changes; but it is impossible to attempt this, or to explain his system, within the limits to which this sketch is necessarily confined. In one point of view, his peculiar merit appears not to be in general sufficiently insisted upon. If he had merely suggested the principles of his new theory, he would doubtless have acquired, as now, the glory of lighting upon the true order of the solar system, and of founding thereupon a new school of astronomy: but his peculiar and characteristic merit, that by which he really earned his reputation, and which entitles him to take rank by the side of Newton in the history of astronomy, was the result of his conviction, that if his principles were indeed true, they would be verified by the examination of details, and the persevering resolution with which he thereupon set himself to rebuild an astronomical theory from the foundation. This was the reason, at least as much as the fear of incurring censure, why he delayed the publication of his system for thirty-six years. During the greater part of that time he was employed in collecting, by careful observation, the materials of which it is constructed: the opinions on which it is based, comprising the whole of what was afterwards declared to be heretical and impious, were widely known to be entertained by him long before the work itself appeared. He delayed to announce them formally, until he was able at the same time to show that they were not random guesses, taken up from a mere affectation of novelty; but that with their assistance he had compiled tables of the planetary motions, which were immediately acknowledged even by those whose minds revolted most against the means by which they were obtained, to be far more correct than any which till then had appeared.

      Copernicus’s book seems to have been nearly completed in 1536, which is the date of a letter addressed to him by Cardinal Schonberg, prefixed to the work. So far at this time was the church of Rome from having decided on the line of stubborn opposition to the new opinions, which, in the following century, so much to her own disgrace, she adopted, that Copernicus was chiefly moved to complete and publish his work by the solicitations of this cardinal, and of Tindemann Giese, the bishop of Culm; and the book itself was dedicated to Pope Paul III. It is entitled, ‘De Revolutionibus Orbium Cœlestium, Libri VI.’ The dedication is written in a very different strain from that to which his followers were soon afterwards restricted. He there boldly avows his expectation that his theory would be attacked as contrary to the Scriptures, and his contempt of such ill-considered judgment. A more timid preface, in which the new theory is spoken of as a mere mathematical hypothesis, was added to this dedication by Osiander, to whom Copernicus had entrusted the care of preparing the book for publication. It has been said that the author was far from approving this, and if his death had not followed closely upon its publication, it is not improbable that he would have suppressed it.

      The revolution of opinion that has followed the publication of this memorable work was not immediately perceptible: even to the end of the sixteenth century, as Montucla observes, the number of converts to its doctrines might be easily reckoned. The majority contented themselves with a disdainful sneer at the folly of introducing such ridiculous notions among the grave doctrines of astronomy: but although impertinent, it was as yet considered harmless; and all those who were at the pains to examine the reasoning on which the new theory was grounded, were allowed, unmolested, to own themselves convinced by it. It was not until the spirit of philosophical inquiry was fully awakened, that the church of Rome became sensible how much danger lurked in the new doctrines; and when the struggle began in earnest between the partisans of truth and falsehood, the censures pronounced upon the advocates of the earth’s motion, were in fact aimed through them at all who presumed, even in natural phenomena, to see with other eyes than those of their spiritual advisers.

      Copernicus did not live to witness any part of the effect produced by his book. A sudden attack of dysentery and paralysis put an end to his life, within a few hours after the first printed copy had been shown to him, in his seventy-second year, on the 24th May, 1543, one century before the birth of Newton. The house at Thorn, in which he is said to have been born, is still shown, as well as that at Frauenburg, in which he passed the greater part of his life. An hydraulic machine, of which only the remains now exist, for supplying the houses of the canons with water, and another of similar construction at Graudenz, which is still in use, are said to have been constructed by him. An account of them may be seen in Nanke’s Travels. From the little that is known of Copernicus’s private character, his morals appear to have been unexceptionable; his temper good, his disposition kind, but inclining to seriousness. He was so highly esteemed in his own neighbourhood, that the attempt of a dramatic author to satirise him, by introducing his doctrine of the earth’s motion upon the stage at Elbing, was received by the audience with the greatest indignation. He was buried in the cemetery of the chapter of Ermeland, and only a plain marble slab, inscribed with his name, marked the place of his interment. Until this was rediscovered in the latter half of the last century, an opinion prevailed that his remains had been transported to Thorn, and buried in the church of St. John, where the portrait of him is preserved, from which most of the prints in circulation have been taken. It is engraved in Hartknoch’s Prussia, and, according to that author, copies of it were frequently made. The portrait prefixed to Gassendi’s life, is a copy of that given in Boissard, with the addition of a furred robe. There is a good engraving of the same likeness, by Falck, a Polish artist, who lived about a century later than Copernicus. In the year 1584, Tycho Brahe commissioned Elia Olai to visit Frauenburg, for the purpose of more accurately determining the latitude of Copernicus’s observatory, and, on that occasion, received as a present from the chapter the Ptolemaic scales, made by the astronomer himself, which he used in his observatory, and also a portrait of him said to have been painted by his own hand. Tycho placed these memorials, with great honour, in his own observatory, but it is not known what became of them after his death, and the dispersion of his instruments. The portrait, from which the engraving prefixed to this account is taken, belongs to the Royal Society, to which it was sent by Dr. Wolff, from Dantzig, in 1776. It was copied by Lormann, a Prussian artist, from one which had been long preserved and recognised as an original in the collection of the Dukes of Saxe Gotha. In 1735, Prince Grabowski, bishop of Ermeland, exchanged for it the portrait of an ancestor of the reigning duke, who had been formerly bishop of that see. Grabowski left it to his chamberlain, M. Hussarzewski, in whose possession it remained when the copy was made. Dr. Wolff, in the letter accompanying his present, (inserted in the Phil. Trans. vol. lxvii.) declares that this original had been compared with the Thorn portrait, and that the resemblance of the two is perfect. It does not appear very striking in the engravings. A colossal statue of Copernicus, executed by Thorwaldsen, was erected at Warsaw in 1830, with all the demonstrations of honour due to the memory of a man who holds so distinguished a place in the history of human discoveries.

      1. The authority for this manner of spelling the name is Hartknoch, Alt und Neues Preussen. The inscription, Nicolao Copernico, which appears on the plate, is a literal copy of the inscription on the original picture.

      Engraved by T. Woolnoth. JOHN MILTON. From a Miniature of the same size by Faithorne. Anno 1667, in the possession of William Falconer Esq. Under the Superintendance of the Society for the Diffusion of Useful Knowledge. London. Published by Charles Knight, Pall Mall East.

MILTON.

      MILTON

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      That sanctity which settles on the memory of a great man, ought upon a double motive to be vigilantly sustained by his countrymen; first, out of gratitude to him, as one column of the national grandeur; secondly, with a practical purpose of transmitting unimpaired to posterity the benefit of ennobling models. High standards of excellence are among the happiest distinctions by which the modern ages of the world have an advantage over earlier,