one hand in sign of silence to the people, for the rites of Isis enjoined what to the lively Pompeians was an impossible suspense from the use of the vocal organs, the chief priest poured his libation on the altar, and after a short concluding prayer the ceremony was over, and the congregation dismissed. Still, however, as the crowd dispersed themselves here and there, the Egyptian lingered by the railing, and when the space became tolerably cleared, one of the priests, approaching it, saluted him with great appearance of friendly familiarity.
The countenance of the priest was remarkably unprepossessing—his shaven skull was so low and narrow in the front as nearly to approach to the conformation of that of an African savage, save only towards the temples, where, in that organ styled acquisitiveness by the pupils of a science modern in name, but best practically known (as their sculpture teaches us) amongst the ancients, two huge and almost preternatural protuberances yet more distorted the unshapely head—around the brows the skin was puckered into a web of deep and intricate wrinkles—the eyes, dark and small, rolled in a muddy and yellow orbit—the nose, short yet coarse, was distended at the nostrils like a satyr's—and the thick but pallid lips, the high cheek-bones, the livid and motley hues that struggled through the parchment skin, completed a countenance which none could behold without repugnance, and few without terror and distrust: whatever the wishes of the mind, the animal frame was well fitted to execute them; the wiry muscles of the throat, the broad chest, the nervous hands and lean gaunt arms, which were bared above the elbow, betokened a form capable alike of great active exertion and passive endurance.
'Calenus,' said the Egyptian to this fascinating flamen, 'you have improved the voice of the statue much by attending to my suggestion; and your verses are excellent. Always prophesy good fortune, unless there is an absolute impossibility of its fulfilment.'
'Besides,' added Calenus, 'if the storm does come, and if it does overwhelm the accursed ships, have we not prophesied it? and are the barks not blest to be at rest?—for rest prays the mariner in the AEgean sea, or at least so says Horace—can the mariner be more at rest in the sea than when he is at the bottom of it?'
'Right, my Calenus; I wish Apaecides would take a lesson from your wisdom. But I desire to confer with you relative to him and to other matters: you can admit me into one of your less sacred apartments?'
'Assuredly,' replied the priest, leading the way to one of the small chambers which surrounded the open gate. Here they seated themselves before a small table spread with dishes containing fruit and eggs, and various cold meats, with vases of excellent wine, of which while the companions partook, a curtain, drawn across the entrance opening to the court, concealed them from view, but admonished them by the thinness of the partition to speak low, or to speak no secrets: they chose the former alternative.
'Thou knowest,' said Arbaces, in a voice that scarcely stirred the air, so soft and inward was its sound, 'that it has ever been my maxim to attach myself to the young. From their flexile and unformed minds I can carve out my fittest tools. I weave—I warp—I mould them at my will. Of the men I make merely followers or servants; of the women … '
'Mistresses,' said Calenus, as a livid grin distorted his ungainly features.
'Yes, I do not disguise it: woman is the main object, the great appetite, of my soul. As you feed the victim for the slaughter, I love to rear the votaries of my pleasure. I love to train, to ripen their minds—to unfold the sweet blossom of their hidden passions, in order to prepare the fruit to my taste. I loathe your ready-made and ripened courtesans; it is in the soft and unconscious progress of innocence to desire that I find the true charm of love; it is thus that I defy satiety; and by contemplating the freshness of others, I sustain the freshness of my own sensations. From the young hearts of my victims I draw the ingredients of the caldron in which I re-youth myself. But enough of this: to the subject before us. You know, then, that in Neapolis some time since I encountered Ione and Apaecides, brother and sister, the children of Athenians who had settled at Neapolis. The death of their parents, who knew and esteemed me, constituted me their guardian. I was not unmindful of the trust. The youth, docile and mild, yielded readily to the impression I sought to stamp upon him. Next to woman, I love the old recollections of my ancestral land; I love to keep alive—to propagate on distant shores (which her colonies perchance yet people) her dark and mystic creeds. It may be, that it pleases me to delude mankind, while I thus serve the deities. To Apaecides I taught the solemn faith of Isis. I unfolded to him something of those sublime allegories which are couched beneath her worship. I excited in a soul peculiarly alive to religious fervor that enthusiasm which imagination begets on faith. I have placed him amongst you: he is one of you.'
'He is so,' said Calenus: 'but in thus stimulating his faith, you have robbed him of wisdom. He is horror-struck that he is no longer duped: our sage delusions, our speaking statues and secret staircases dismay and revolt him; he pines; he wastes away; he mutters to himself; he refuses to share our ceremonies. He has been known to frequent the company of men suspected of adherence to that new and atheistical creed which denies all our gods, and terms our oracles the inspirations of that malevolent spirit of which eastern tradition speaks. Our oracles—alas! we know well whose inspirations they are!'
'This is what I feared,' said Arbaces, musingly, 'from various reproaches he made me when I last saw him. Of late he hath shunned my steps. I must find him: I must continue my lessons: I must lead him into the adytum of Wisdom. I must teach him that there are two stages of sanctity—the first, FAITH—the next, DELUSION; the one for the vulgar, the second for the sage.'
'I never passed through the first, I said Calenus; 'nor you either, I think, my Arbaces.'
'You err,' replied the Egyptian, gravely. 'I believe at this day (not indeed that which I teach, but that which I teach not). Nature has a sanctity against which I cannot (nor would I) steel conviction. I believe in mine own knowledge, and that has revealed to me—but no matter. Now to earthlier and more inviting themes. If I thus fulfilled my object with Apaecides, what was my design for Ione? Thou knowest already I intend her for my queen—my bride—my heart's Isis. Never till I saw her knew I all the love of which my nature is capable.'
'I hear from a thousand lips that she is a second Helen,' said Calenus; and he smacked his own lips, but whether at the wine or at the notion it is not easy to decide.
'Yes, she has a beauty that Greece itself never excelled,' resumed Arbaces. 'But that is not all: she has a soul worthy to match with mine. She has a genius beyond that of woman—keen—dazzling—bold. Poetry flows spontaneous to her lips: utter but a truth, and, however intricate and profound, her mind seizes and commands it. Her imagination and her reason are not at war with each other; they harmonize and direct her course as the winds and the waves direct some lofty bark. With this she unites a daring independence of thought; she can stand alone in the world; she can be brave as she is gentle; this is the nature I have sought all my life in woman, and never found till now. Ione must be mine! In her I have a double passion; I wish to enjoy a beauty of spirit as of form.'
'She is not yours yet, then?' said the priest.
'No; she loves me—but as a friend—she loves me with her mind only. She fancies in me the paltry virtues which I have only the profounder virtue to disdain. But you must pursue with me her history. The brother and sister were young and rich: Ione is proud and ambitious—proud of her genius—the magic of her poetry—the charm of her conversation. When her brother left me, and entered your temple, in order to be near him she removed also to Pompeii. She has suffered her talents to be known. She summons crowds to her feasts; her voice enchants them; her poetry subdues. She delights in being thought the successor of Erinna.'
'Or of Sappho?'
'But Sappho without love! I encouraged her in this boldness of career—in this indulgence of vanity and of pleasure. I loved to steep her amidst the dissipations and luxury of this abandoned city. Mark me, Calenus! I desired to enervate her mind!—it has been too pure to receive yet the breath which I wish not to pass, but burningly to eat into, the mirror. I wished her to be surrounded by lovers, hollow, vain, and frivolous (lovers that her nature must despise), in order to feel the want of love. Then, in those soft intervals of lassitude that succeed to excitement—I can weave my spells—excite her interest—attract her