Ninette Rothmüller

Women, Biomedical Research and Art


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Transcription and Authorization

       3.4.2 On the Use of Language as an Analytical Tool

       3.4.3 Art as a Tool to Research – Of Women

       4 Fragmentations

       4.1 Entities in a Chapter about Fragmentation

       4.2 Constructing Potential Things in Time and Space

       4.2.1 Telling the Story – Presenting the Pictures. On Trying to Grasp what is at Stake

       4.2.2 Telling the Story – Sensing Women. Contributions to Confusion

       4.2.3 Presenting the Picture – Sensing the Female Body. Contribution in Search of Matter(s)

       4.2.4 Preparing the Stage – On Spaces of Separation and Hierarchies

       4.2.5 Seeking Company – Speaking, Writing, Seeing

       4.3 Bodies at Stake – Visualized, Seduced, Taken Apart, but Alive?

       4.3.1 Bodies Inside out – Dwelled Space Seduced

       4.3.2 The Heartbeat of a Machine and I

       4.3.3 On the Organic Colonization of Scotland and England by a Pregnant Woman

       4.4 Final Thoughts

       5 Body Geographics. Territories, Trades, and Mappings in Inequality

       5.1 Body Territories Under Re-construction – an Introduction

       5.1.1 Body Territories Under Re-construction – Voices

       5.1.2 Body Territories Under Re-construction – Actors and Activities

       5.1.3 Bodily Substance Transfer and Hierarchies in Organ Transplantations or, When Are We Dead?

       5.1.4 Mapping Sites in Action – On the Creation of Powerful Stories, Marketable Events, and Images

       5.1.5 Art and the Skinned and Scanned Human

       5.2 Traffics in the Body – Historical Remarks on Substantial Trade Relations

       6 Gendered Harvest

       6.1 Cells at Stake – Ethical and Legal Approaches

       6.2 Human Recycling – Terms and Conditions

       6.2.1 Bodies and Borders – Voices

       6.2.2 Body Exchange and Leib Rejection

       6.3 Gendered “Donations”

       6.3.1 Rearranging Borders – Organs and Tissue Travel from East to West and from Bottom to Top

       6.3.2 Harvesting the Body during the Gold Rush

       6.3.3 Gifts and Commodities – Writing Values onto Bodies

       6.3.4 Celebrating Christmas during Birth OR How to Be a “Good Citizen”

       7 Participatory Art and Public Engagement

       7.1 To Create

       7.1.1 To Create Here and Now, There and Then

       7.1.2 Space, Place, Site, Location – Theoretical Considerations

       7.2 It’s Best to Take Risks when Nothing is Safe to Start with

       7.2.1 Contemporary Social Landscapes of Creation OR Whose Voices Make to Not Create Not an Option

       7.3 Biomedical Developments as Sites of Action – Investigating and Creating

       7.3.1 Focus Creative Works – Time, Space, Travels

       7.3.2 Stories of Matter – Sites of Action

       7.4 To Conclude

       8 Showdown

       8.1 Showdown I – Writing on Flesh

       8.2 Showdown II – my House

       8.3 Showdown III – the Best

       8.4 Showdown IV – Play it – Make it a Condition and a Task

       8.5 Epilogue