Olaudah Equiano

The Interesting Narrative of Olaudah Equiano


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presents himself as an everyman. ‘I offer here the history of neither a saint, a hero, nor a tyrant’, he tells his readers. ‘I believe there are few events in my life which have not happened to many.’

      This is entirely wrong. From his earliest years in ‘a charming fruitful vale’ in what is now Nigeria to his retirement as a gentleman, Equiano lived a life of uncommon drama. His story is reminiscent of the eighteenth century's most imaginative picaresque adventures. If The Interesting Narrative were fiction, it might sit alongside Fielding's Tom Jones or Smollett's Roderick Random as an archetype of the genre – and so it was prescient that Equiano's parents named him ‘Olaudah’ (pronounced Oh-lah-oo-dah), which means ‘vicissitudes or fortunate’.

      Few people have described the horrors of the Middle Passage – that is, the ocean voyage from the African coast to the American colonies – with as much colour and clarity as Equiano. ‘When I looked round the ship and saw a large furnace of copper boiling’, he recounts, ‘and a multitude of black people of every description chained together, every one of their countenances expressing dejection and sorrow, I no longer doubted of my fate’. After weeks on the ocean in the sultry sailing season, with the enslaved crammed every which way into the bowels of the ship, ‘the air soon became unfit for respiration, from a variety of loathsome smells, and brought on a sickness among the slaves, of which many died, thus falling victim to the improvident avarice … of their purchasers’. And there were other indignities on such voyages: Equiano would later witness sailors ‘gratify[ing] their brutal passions with females not yet ten years old’.

      In the years that followed, Equiano's story shadows the major events of British history. Upon the outbreak of the Seven Years War, he hunts French ships in the English Channel. He docks at Portsmouth during the court-martial of Admiral Byng, whom the authorities famously executed for failing to defend Minorca from the French. Equiano's ship then ferries the Duke of Cumberland – the Butcher of Culloden – from the Netherlands to London, and in 1758 he and his master Michael Pascal convey General James Wolfe to death and glory in French Canada. Soon afterwards, Equiano sees the British fleet at Gibraltar capture the first fighting Temeraire, the third of which Turner would paint so brilliantly in the 1830s. During all of this, Equiano found the time to convert to Christianity, receiving his baptism at St Margaret's Church in the shadow of Westminster Abbey.

      Despite what Equiano represents as faithful service to Pascal, they did not part on good terms. Equiano had won considerable prize money by boxing against other boys on the decks of ships, but when Pascal sold Equiano to another British officer in Gravesend, he refused to pay up. Indeed, when they chanced upon each other in later years, Pascal told Equiano that he would not have yielded a penny even if Equiano had won £10,000 by fighting.

      What would he do with his newly earned liberty? Equiano does not quite know which path to follow. At first, he returns to what he knows, merchant sailing, and there follows the dramatic shipwreck of the sloop Nancy in the Bahamas, where in his judgment only Providence saved him from drowning or dying of thirst. Taking leave of the Americas, Equiano returns to London and, besides learning to play the French horn, takes up an apprenticeship in hairdressing at Haymarket. This does not suit the restless sailor, who again goes to sea. Now cruising the Mediterranean, he embarks on the mercantile equivalent of the Georgian era's Grand Tour: from Savoyard Nice to Tuscan Livorno – or as the British called it, Leghorn – and then to Ottoman Smyrna on the Aegean coast. Equiano even takes in the grand opera at Naples, where the eruption of Vesuvius in 1769 sprinkles ash on the deck of his ship.