Xolela Mangcu

Biko: A Biography


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government down in the 1898 elections. Going into those elections the Afrikaner Bond, under the leadership of JH Hofmeyr, wooed African supporters by promising them the vote, and Jabavu threw in his lot with them against his erstwhile liberal supporters, including Rhodes. The second mistake Jabavu made was to come out in support of the Land Act of 1913. This earned him the ire of one of the leading radical modernisers of the time, Sol Plaatje. Plaatje was a well-known author and edited Koranta ea Becoana – The Bechuana Gazette. He had been elected secretary of the South African Native National Congress (later the ANC) in 1912. Plaatje challenged Jabavu to a public debate, offering to travel all the way from Mafeking in the north to Jabavu’s home in King William’s Town:

      As if to demonstrate that he would not stoop to respond to Plaatje, Jabavu asked someone else to reply on his behalf with a pithy but characteristically arrogant response:

      I am instructed by the editor of Imvo to acknowledge the receipt of your letter, and to inform you that as he has not been reading and following your writings etc., he cannot understand what you mean by it. In short, to let you know that he takes no interest in the matter.

      Plaatje regarded Jabavu as nothing less than a sell-out:

      Perhaps the one individual who would come to symbolise a more radical African nationalism was SEK Mqhayi – the founding genius of Xhosa literary culture. Mqhayi was a man of many talents. As a journalist he served as editor of Umteteli waBantu and Imvo Zabantsundu; as a novelist he wrote uDon Jadu and the classic Ityala Lamawele; as a non-fiction writer he wrote the biographies of several prominent African leaders including Rubusana; but it was for his poetry that he was best known, earning himself the title of Imbongi Yesizwe Jikelele – The Poet of the Nation.

      In his autobiography Nelson Mandela remembers a display of cultural nationalism by Mqhayi at his college in Healdtown:

      There was a stage at one end of the hall and on it a door that led to Dr Wellington’s [the headmaster’s] house. The door itself was nothing special, for no one ever walked through it except Dr Wellington himself. Suddenly, the door opened and out walked not Dr Wellington, but a black man dressed in a leopard skin kaross and matching hat, who was carrying a spear in either hand.

      To Mandela’s surprise, Mqhayi proceeded with a blistering critique of white racism despite the presence of Dr Wellington himself. Mqhayi said:

      . . . we cannot allow these foreigners who do not care for our culture to take over our nation. I predict that one day, the forces of African society will achieve a momentous victory over the interloper. For too long we have succumbed to the false gods of the white man. But we will emerge and cast off their foreign notions.

      Mandela concludes:

      Although Mqhayi falls squarely among radical modernisers such as the later Tiyo Soga, WB Rubusana and Sol Plaatje, it is important to keep in mind that all these individuals were complicated. They were part of the very modernity they were contesting, and thus their lives were often characterised by contradictions. AC Jordan reminds us, for example, that Mqhayi had a “double loyalty”: