Catherine Miller

Waiting For You


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‘So, what do I need to know?’

      ‘It’s pretty simple. When you want to make a recording you need to press this button here.’ Leon showed Fliss the small panel of buttons and she saw he was pointing to the one marked record. ‘Once you’ve pressed it this light here will come on so you know it’s working.’ A red LED light came on as he demonstrated. ‘Once you’ve finished press the stop button.’

      ‘That’s the kind of level of technology I can deal with,’ Fliss said.

      ‘We just need to get the angle of the camera right so we have a good headshot of you. If you can sit in the chair and I can get it all set up… I used Tim as my guide and he’s about a foot taller than you so we’ll be filming your forehead if we’re not careful.’

      Fliss moved round to her comfy chair where she spent most of her evenings cuddled up by the woodburner reading a good book. ‘I will be able to put it away somewhere when it’s not in use, right?’ Staring at the camera on its tripod, Fliss became aware of how intrusive it was. It would be like Big Brother continuously being there even when it wasn’t on. Not to mention what Ben would think when he returned home this weekend. She’d hardly be able to keep her participation in the project a secret with a camera living in the lounge.

      Leon’s hazel eyes peered up from where they’d been staring at her through a lens. ‘You can collapse the tripod fairly easily and store it somewhere safe out of the way. I’ll need to make sure you put it back in the same spot. Maybe I could mark its place with some tape for you, if that’s okay?’ He grabbed some hazard tape from a nearby bag of equipment then raised his eyebrows while he waited for her answer.

      Stripes of yellow and black tape across the floor wasn’t a discreet option. ‘Can you make them small pieces?’ Fliss asked.

      Leon riffled about in the bag again. ‘How about I do it with this?’ He held up a roll of black electrical tape. ‘That way your husband shouldn’t be able to spot anything.’

      Fliss blushed. Was she really that readable?

      ‘Tim, get the scissors out of the car can you? I can’t find them in here,’ Leon said.

      The young, lanky fellow who’d been leaning against the wall the whole time headed outside.

      ‘Work experience,’ Leon said. ‘Really not sure how I can make it more interesting for him, but then it would help if he showed a bit more interest.’ He knelt by the tripod and cut a small piece of black tape with his scissors.

      ‘I thought you said you couldn’t find them,’ Fliss said.

      ‘A little white lie to occupy him. There’s another pair out there so it’s not like he’s on a totally wild errand. Besides, I didn’t think you’d want him ruining your expensive wallpaper.’

      Fliss’s cheeks went an even deeper shade of crimson. Why she was embarrassed she was unsure. The paper was anything but expensive. Everything in the cottage had been done on a budget and, where possible, made by her own fair hands. The wallpaper had been cheap and plain. She’d done the hand-painted artwork on it, but should she admit to it? Or let him believe they were better off than they were? ‘I did it myself,’ she confessed.

      ‘What? Put it up? Neat job,’ Leon said, paying a bit more attention to the single feature wall.

      Something prickled within Fliss. Why shouldn’t she own up to its being her work, especially if this guy was doubting her ability to put up wallpaper. ‘Yes, I put it up and I painted on the decoration. I’m an interior designer, but I prefer to do a lot of the work myself,’ Fliss said in a rather more defensive tone than she’d intended.

      ‘In that case it’s a really neat job. I wish I had artistic talent like that.’ Leon gave the paper a closer inspection. ‘Are you seriously telling me you can paint that perfectly?’

      Fliss allowed herself a small smile. Two lots of compliments about her work in the same day was a rarity. Possibly because she didn’t put it on show like she should. ‘I used a block print to give me the same repetition. My eye’s not that good. I like to experiment with different techniques and the house is the best place to try anything new.’

      ‘Wow. If this is what you manage when you’re experimenting, I’d love to see what you do when you’ve refined your techniques.’

      Fliss blushed. What Leon had said about refining techniques had sent a pulse through her body as she imagined innuendo where there wasn’t any. It proved her husband was away far too much if her mind was wandering so easily.

      Leon brushed the hair back out of his face with one hand, his eyelids temporarily hooded. ‘I don’t suppose…’ He cleared his throat, not managing to complete his sentence. ‘Do you take on smaller jobs? There’s been some damage to my flat that’ll need sorting.’ Leon closed his eyes and shook his shoulders, like someone had just stepped over his grave.

      ‘What kind of damage?’

      Tim reappeared with the large pair of scissors he’d gone to search for.

      Leon glimpsed at Tim. ‘I’ll fill you in another time. Can you do it?’

      ‘Yes, no job too small. Just let me know.’ Leon’s change in demeanour made her wonder what type of damage he meant, but it didn’t really matter when she was in need of work however it came about.

      Leon went back to marking out the position of the tripod and Fliss did her best to ignore his muscular body. ‘There. No one will notice,’ he said.

      Fliss hoped Leon was right and the tape against the dark blue carpet didn’t show.

      ‘This is how you release the legs so the tripod folds down.’ Leon showed Fliss a quick release catch. ‘Leave the legs at this height. It can be hard to judge if you’ve got yourself in a headshot if you’re doing it by yourself. Hopefully you have a cupboard where you can stash this away when you’re not using the camera. You’ll need to be careful when storing it not to damage the lens. I’ll leave the cover with you. Pop that on before you put it away and it should keep it safe. And here’s my card.’ He took one from his wallet. ‘Give me a call if you have any problems and please text me your number so we can talk about my flat. I need to explain a few things to see if it’s possible to sort it out.’

      ***

      When they’d all left, Fliss was left with a camera peering at her, a fistful of documents she needed to read and sign, and a sense of loneliness made greater by the fact she’d been assessed as such. In the early days she’d heard those comments often from her mum and her sisters. ‘Won’t you miss him? Won’t you be lonely?’ She’d dismissed the idea often enough for them to have stopped asking. But the ease with which she’d jovially shrugged off those comments when they first adopted their dual lifestyle had left her today. Instead, she found that she’d spent so long defending their set-up that at some point she’d started trying to convince herself as well as those around her. They were lucky, she would say to herself. Thousands of people would love to have this lifestyle but wouldn’t be able to afford two residences. They were only able to after riding the wave of a fortunate upturn in the property market. But with each passing year the idyll was losing its shine. Maybe she needed to get out more. She’d speak to Caroline, who always said Hollie was welcome to stay, but Fliss rarely took her up on the offer. She needed to do something to rid herself of the doubt that had formed since the arrival of the TV crew.

      Fliss glanced at the pieces of tape from twenty different angles in every kind of light to try and see whether they would be spotted against the dark blue carpet. To rid herself of any further anxiety on the matter, she strategically placed some of Hollie’s toys and books. On all the weekends Ben visited, he’d never once shown any inclination to help with the tidying. As she assessed the scattering of toys she couldn’t work out which was sadder. That she needed to hide the fact she’d signed up for the show or that she considered her husband a visitor in their family home.