A Companion to Motion Pictures and Public Value. Группа авторов

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      10 Ong, Jonathan Corpus. 2016. “Charity Appeals as ‘Poverty Porn’? Production Ethics in Representing Suffering Children and Typhoon Haiyan Beneficiaries in the Philippines.” In Production Studies, The Sequel!, edited by Miranda Banks, Bridget Conor, and Vicki Mayer, 89–104. New York: Routledge.

      11 Plantinga, Carl. 2019a. “Brecht, Emotion, and the Reflective Spectator: The Case of BlacKkKlansman.” NECSUS. European Journal of Media Studies. Spring 2019. https://doi.org/10.25969/mediarep/4192.

      12 ___. 2019b. “Fascist Affect in 300.” Projections: The Journal for Movies and Mind 13 (2): 20–37. https://doi.org/10.3167/proj.2019.130202.

      13 Ponech, Trevor. 2014. “Moral Agency, Artistic Immorality, and Critical Appreciation: Lars von Trier’s The Idiots.” In Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship, edited by Jinhee Choi and Mattias Frey, 163‒177. New York: Routledge.

      14 Pryluck, Calvin. 1976. “Ultimately, We Are All Outsiders: The Ethics of Documentary Filming.” Journal of the University Film Association 28 (1): 21–29.

      15 Vaughan, Hunter. 2019. Hollywood’s Dirtiest Secret: The Hidden Environmental Costs of the Movies. New York: Columbia University Press.

      16 Williams, Bernard. [1985] 2011. Ethics and the Limits of Philosophy. Oxon: Routledge.