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A Companion to Motion Pictures and Public Value


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      23 Livingston, Paisley. 2011. “On Authorship and Collaboration.” The Journal of Aesthetics and Art Criticism 69 (2): 221–225. https://doi.org/10.1111/j.1540-6245.2011.01463.x.

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      37 Polan, Dana. 2001. “Auteur Desire.” Screening the Past 12: 1–9. http://www.screeningthepast.com/2014/12/auteur-desire.

      38 Preston, Beth. 2013. A Philosophy of Material Culture: Action, Function, and Mind. London: Routledge.

      39 Rietveld, Erik, and Julian Kiverstein. 2014. “A Rich Landscape of Affordances.” Ecological Psychology 26 (4): 325–352. https://doi.org/10.1080/10407413.2014.958035.

      40 Sawyer, Keith R., and Stacy DeZutter. 2009. “Distributed Creativity: How Collective Creations Emerge from Collaboration.” Psychology of Aesthetics, Creativity, and the Arts 3 (2): 81–92. https://doi.org/10.1037/a0013282.

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      42 Stollery, Martin. 2002. “Eisenstein, Shub and The Gender of the Author as Producer.” Film History 14 (1): 87–99. https://www.jstor.org/stable/3815583.

      43 Sutton, John. 2009. “The Feel of the World’: Exograms, Habits, and the Confusion of Types of Memory.” In Memento, edited by Andrew Kania, 65–86. New York: Routledge.

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