J. BERG ESENWEIN DALE CARNAGEY

THE ART OF PUBLIC SPEAKING


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emphasize the same idea over and over again unless you desire to lay

      extra stress on it; Senator Thurston desired to put the maximum amount

      of emphasis on "force" in his speech on page 50. Note how force is

      emphasized repeatedly. As a general rule, however, the new idea, the

      "new slant," whether in a newspaper report of a battle or a speaker's

      enunciation of his ideas, is emphatic.

      In the following selection, "larger" is emphatic, for it is the new

      idea. All men have eyes, but this man asks for a _LARGER_ eye.

      This man with the larger eye says he will discover, not rivers or safety

      appliances for aeroplanes, but _NEW STARS_ and _SUNS_. "New stars and

      suns" are hardly as emphatic as the word "larger." Why? Because we

      expect an astronomer to discover heavenly bodies rather than cooking

      recipes. The words, "Republic needs" in the next sentence, are emphatic;

      they introduce a new and important idea. Republics have always needed

      men, but the author says they need _NEW_ men. "New" is emphatic because

      it introduces a new idea. In like manner, "soil," "grain," "tools," are

      also emphatic.

      The most emphatic words are italicized in this selection. Are there any

      others you would emphasize? Why?

      The old astronomer said, "Give me a _larger_ eye, and I will

      discover _new stars_ and _suns_." That is what the _republic

      needs_ today--_new men_--men who are _wise_ toward the _soil_,

      toward the _grains_, toward the _tools_. If God would only raise

      up for the people two or three men like _Watt_, _Fulton_ and

      _McCormick_, they would be _worth more_ to the _State_ than that

      _treasure box_ named _California_ or _Mexico_. And the _real

      supremacy_ of man is based upon his _capacity_ for _education_.

      Man is _unique_ in the _length_ of his _childhood_, which means

      the _period_ of _plasticity_ and _education_. The childhood of a

      _moth_, the distance that stands between the hatching of the

      _robin_ and its _maturity_, represent a _few hours_ or a _few

      weeks_, but _twenty years_ for growth stands between _man's_

      cradle and his citizenship. This protracted childhood makes it

      possible to hand over to the boy all the _accumulated stores

      achieved_ by _races_ and _civilizations_ through _thousands_ of

      _years_.

      --_Anonymous_.

      You must understand that there are no steel-riveted rules of emphasis.

      It is not always possible to designate which word must, and which must

      not be emphasized. One speaker will put one interpretation on a speech,

      another speaker will use different emphasis to bring out a different

      interpretation. No one can say that one interpretation is right and the

      other wrong. This principle must be borne in mind in all our marked

      exercises. Here your own intelligence must guide--and greatly to your

      profit.

      QUESTIONS AND EXERCISES.

      1. What is emphasis?

      2. Describe one method of destroying monotony of thought-presentation.

      3. What relation does this have to the use of the voice?

      4. Which words should be emphasized, which subordinated, in a sentence?

      5. Read the selections on pages 50, 51, 52, 53 and 54, devoting special

      attention to emphasizing the important words or phrases and

      subordinating the unimportant ones. Read again, changing emphasis

      slightly. What is the effect?

      6. Read some sentence repeatedly, emphasizing a different word each

      time, and show how the meaning is changed, as is done on page 22.

      7. What is the effect of a lack of emphasis?

      8. Read the selections on pages 30 and 48, emphasizing every word. What

      is the effect on the emphasis?

      9. When is it permissible to emphasize every single word in a sentence?

      10. Note the emphasis and subordination in some conversation or speech

      you have heard. Were they well made? Why? Can you suggest any

      improvement?

      11. From a newspaper or a magazine, clip a report of an address, or a

      biographical eulogy. Mark the passage for emphasis and bring it with you

      to class.

      12. In the following passage, would you make any changes in the author's

      markings for emphasis? Where? Why? Bear in mind that not all words

      marked require the same _degree_ of emphasis--_in a wide variety of

      emphasis, and in nice shading of the gradations, lie the excellence of

      emphatic speech_.

      I would call him _Napoleon_, but Napoleon made his way to empire

      over _broken oaths_ and through a _sea_ of _blood_. This man

      _never_ broke his word. "No Retaliation" was his great motto and

      the rule of his life; and the last words uttered to his son in

      France were these: "My boy, you will one day go back to Santo

      Domingo; _forget_ that _France murdered your father_." I would

      call him _Cromwell_, but Cromwell was _only_ a _soldier_, and

      the state he founded _went down_ with him into his grave. I

      would call him _Washington_, but the great Virginian _held

      slaves_. This man _risked_ his _empire_ rather than _permit_ the

      slave-trade in the _humblest village_ of his dominions.

      You think me a fanatic to-night, for you read history, _not_

      with your _eyes_, but with your _prejudices_. But fifty years

      hence, when _Truth_ gets a hearing, the Muse of History will put

      _Phocion_ for the _Greek_, and _Brutus_ for the _Roman_,

      _Hampden_ for _England_, _Lafayette_ for _France_, choose

      _Washington_ as the bright, consummate flower of our _earlier_

      civilization, and _John Brown_ the ripe fruit of our _noonday_,

      then, dipping her pen in the sunlight, will write in the clear

      blue, above them all, the name of the _soldier_, the

      _statesman_, the _martyr_, _TOUSSAINT L'OUVERTURE_.

      --WENDELL