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A Companion to Greek Lyric


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merciless exclusivism (5.92.b 1–e 2), the other group names seem only to add local flavor to a general phenomenon we can consistently observe in Herodotus. Namely, those in a more elevated social position are always described as “the wealthy ones,” or literally “the fat ones” (παχέες, as in 5.30; 5.77.2–3; 6.91.1; 7.156.2–3).

      Thus far, both the individual and the group characterization of the elites in Herodotus seem at first to confirm Alain Duplouy’s idea that it is impossible to find an operative definition of the Greek “aristocracy” as a social group. However, one more aspect of Herodotus’ narrative should attract our attention here. Namely, the “wealthy ones,” the παχέες, are sharply contrasted with the dēmos. At several occasions, we hear of political fights between the two groups, resulting at some point in the expulsion of the παχέες from Naxos (5.30). On Aegina, however, the παχέες, led by a certain Nikodromos, had the upper hand over the dēmos and even massacred 700 of them (6.91.1–2). Even more importantly, when the tyrant Gelon’s mass deportations in Sicily reached Megara Hyblea, he brought the παχέες of this city to Syracuse and bestowed citizenship on them, while selling the dēmos of Megara into slavery. He did the same with the Euboeans of Sicily (7.156.2–3).

      How to Be an Aristocrat?

      How could one assert one’s own aristocratic status and recognize it in another? As already mentioned, in the ideal world of the Homeric poems, physical appearance (alongside garments, in all probability7) will be enough to recognize an aristocrat. There is no need even to ask for a name until the guest himself decides to reveal it to his noble host. In real life, however, all is in the name. In the archaic period, elements of usually meaningful Greek personal names will suggest at least aristocratic ambitions of one’s parents.8 The compounds containing such words (and notions) as “horse” (hippos, as in Hipparchus) or other athletic paraphernalia such as the race track (-dromos, as in Callidromos), or “victory” (nike-, as in Nikodromos), “fame” (kleos or the like, as in Pericles), or “strength/power” (kratos, as in Polycrates), but also references to the public sphere (agora, more rarely asty or polis, as in Aristagoras) and/or to the idea of resisting the enemy and so protecting one’s community (mene-, alexi-, as in Alexander), or leading (proto-) or persuading (peis-, peith-) fellow-citizens (laoi, dēmos, stratos, as in Peisistratos) will instantly be perceived as belonging to the stock of “aristocratic” names, alongside those straightforwardly indicating one’s supremacy (arist-, as in Aristides or anax-, as in Anaxarchos or Astyanax). More rarely, but very importantly, the idea of being “elected” (-kritos, as in Demokritos) by the people will come to the fore. All such names, besides referring to the aristocratic lifestyle (cf. athletics, but also fame in general) allude to an elevated position within the community in politics but also in warfare.9

      Ideally, again in Homer, a commoner will also be easily distinguishable from an aristocrat for want of athletic posture (Od. 8.159–164). In real-life terms, athletic competence or past experience will need to be asserted verbally, but athletic references themselves are crucial as they parade one’s membership in the “leisure class,” i.e., a group with an easy access to spare time needed for specialized bodily training.

      Marriages will naturally be concluded in a duly spectacular manner, leading to more or less conspicuous consumption and feasting, as in the aforementioned case of Agariste in Sicyon. On the other end of one’s aristocratic adult life, more or less spectacular funerals will be fundamental, with appropriate (in number, value and in symbolic terms) grave-goods, lavish feasting and the burial itself.11 Duly monumental or otherwise spectacular sēmata, or grave-markers, visible to all passers-by, will naturally crown the funeral, at times additionally having recourse to funerary inscriptions.

      Although the actual ritual and material forms of all these social practices did vary from one community to another (e.g., inhumation vs. cremation for burials and the locally-specific nature of grave-goods), their common supra-local denominator is clear, since many of them only made sense when operating between different communities. In principle, the bigger the distances people, stories, and objects travel, in space and in time, the more prestigious their exchange and their possession will be. The same can be said of rituals (potentially) involved in consolidating one’s aristocratic status. Specific votive practices in local sanctuaries or other forms of conspicuous presence in them (such as group or individual statues, kouroi or korai, as well as commemorative or votive inscriptions on public display) may be different in each particular case, but they all will have to somehow interact with corresponding practices executed in supra-local, or even pan-Hellenic sanctuaries, where aristocratic families from all over the Greek world competed on an equal footing.

      Although theoretically all these activities may sporadically by executed by non-aristocrats (see below), what a priori is aristocratic about them is not so much the scale of expenditure required (as already mentioned, all is relative here) but the programmed or pre-meditated activity amounting to a systematic recourse to gift-exchange, luxurious ostentation, and marriages by a given family.

      In a more general vein, a good amount