talked about her children and Susie about her wardrobe. Neither seemed to notice that their twin tracks had no connection; they were content to be in conversation with someone who never tried to wrench the discussion away from their favoured subjects.
Cat and Bella sat on the top of the bank, arms round their knees, leaning companionably into one another, comparing notes about the events they were most looking forward to at the Book Festival and discovering with delicious pleasure that they were of one mind on most of their selected authors.
The only surprise for Cat was that she seemed to have read much more widely than her new friend. But she supposed when you grew as old as Bella, there were more calls on your time and fewer opportunities to spend the evening on a chaise longue with a book. Certainly the Thorpes seemed to watch a great deal more television than the Morlands, whose viewing was, of financial necessity, restricted to those channels that were available free of charge. Their options were further circumscribed by their parents’ conviction that all soaps and most dramas were absurd and therefore not worth the time they demanded. Cat found little hardship in this edict, since there was always something else she would rather be doing.
But that evening in the Botanics, she luxuriated in sharing an intense conversation about the novels she inhabited in her imagination. This was entirely a novelty for Cat, since she was the only member of her family who set any store by fiction. Their views baffled her; fiction seemed to Cat to be the highest form of the writer’s art, depending as it did on the resourceful application of creativity and the necessity of direct communication with the reader.
For historians and writers of narrative non-fiction, all the building blocks of their work were already in place. They had nothing more to do than gather them and construct a pretty edifice. Conversely, the writers of fiction began with nothing other than the contents of their heads and their understanding of the human condition. They must comprehend the deepest and strangest elements of emotion and behaviour and render them accessible to those who lacked their wit and skill.
Poets, it might be argued, also relied on their own emotional and intellectual resources. But Cat had serious doubts about poets. She firmly believed that while some could thrill and excite, too many failed the fundamental test of communicating with their readers. The more obscure their verses, the more praise they appeared to garner. Annie had attempted to convince her that T. S. Eliot was a writer of incomparable ability but Cat had rebelled on the second page of The Waste Land. ‘Honestly, Mum, how can you say someone’s a great writer if you’ve no hope of understanding their work unless you’ve got a stack of reference books next to you? It’s just showing off. If I behaved like that in front of other people, you’d totally tell me off when we got home. So why is it all right for T. S. Eliot to swagger about like a complete know-all and make the rest of us feel stupid?’
Not for the first time, Annie had struggled to find an answer to her eldest daughter’s candour. ‘It’s a challenge,’ she’d finally said. ‘It makes you think. It makes you look beyond your own narrow horizons.’
‘But reading the Twilight novels makes me think,’ Cat replied defiantly. ‘Just because you’re not interested in thinking about the same things doesn’t mean it’s worthless.’
It wasn’t solely her mother who dismissed the power of fiction within the Morland household. Richard naturally read the Bible, though rather less than his parishioners might have hoped. He read a great deal, having the excuse of a weekly sermon to sprinkle with erudition. Most of his reading consisted of philosophy and natural history, with occasional forays into biography. The Internet had also afforded him access to a bewildering array of blogs, which he dipped into like a man sampling an all-you-can-eat buffet. He claimed he approached his reading with a measure of scepticism. Cat was less certain about that; she thought sometimes the blogs more closely resembled the condition of fiction than her father was willing to admit.
Her brother James wasn’t much of a reader. He’d dutifully read the Harry Potter books, but that was the last fiction he’d embraced. In his early teens, he’d discovered the true crime genre. Since then, his reading for pleasure had consisted of exploring the warped lives of serial murderers and spree killers. It was a fascination that puzzled Cat. It couldn’t even be explained as preparation for life at the bar, for James had no intention of pursuing criminal law. He was destined for family law, something of his father’s social conscience having rubbed off on him. And yet, he remained fascinated by the perverted actions of a psychopathic few.
And so Cat was stranded on the shores of fiction alone, save for the occasional forays of her younger sisters, both of whom preferred to fiddle with Facebook or tattle-tale with Twitter than sit down with a book. Cat had briefly cherished hopes of Emma becoming a reader like her when her younger sister had picked up the first volume of the Hunger Games trilogy. But it soon became clear that her interest had only been pricked because she’d seen the film of the book at a friend’s house, and that she had no sincere love for the written word per se.
And that was why Cat revelled so thoroughly in the company of Bella Thorpe, who might not have been the most assiduous reader in the city of Edinburgh, but who at least understood enough of the joys of novels to seek out the presence of their authors, if only to have her copies of their work signed. For once, Cat felt the fiction lovers were in the ascendancy. All they lacked was Henry Tilney who, she was sure, would only have enriched their conversation. But as her parents had been careful to teach her, Cat knew you couldn’t have everything. At least, not all at the same time.
Two days later, Cat rushed into the Spiegeltent at the Book Festival grounds, hot and damp and five minutes late. Bella waved at her from a far booth and she excused her way across the busy café and subsided on to the bench opposite her friend.
‘Where have you been?’ Bella’s voice was plaintive. ‘I’ve been waiting, like, forever.’
‘I’m hardly late at all,’ Cat protested mildly, taking off her father’s elderly Panama hat and shaking the rain from it. She had brought the hat to shelter her from the sun but so far it had done more service as protection from the squally East Coast showers.
‘Love the hat – that is so cool. I need one just like it. But seriously, what kept you?’ Bella pouted.
‘Well, technically it’s your fault.’
‘My fault? Like, how can it be my fault that you’re late? I even left early because it looked like rain and I didn’t want to get caught in it, which by the way I managed better than you did.’
Cat smiled, not caring that the sudden shower had left her a little bedraggled. It was a condition familiar to her at home, and Susie Allen was still at the flat and so had not been able to chide her for being less than perfectly turned out. ‘It’s your fault because you got me into Morag Fraser. I’d never even heard of the Hebridean Harpies series till you dragged me along to her event. And now I am totally hooked. I was reading Vampires on Vatersay till one in the morning. I just had to finish it. And then I started Banshees of Berneray at breakfast and I could hardly drag myself away from it to come and meet you.’
Bella squealed. ‘Have you got to the bit with the long black veil?’
‘How did you know? That’s exactly where I stopped.’
‘You stopped? How could you? Are you not wild to know what’s behind the long black veil?’
‘Of course I am. But I had to get out the door and up the hill or you’d be even more cross with me. I’m dying to know the dreadful secret behind the veil.’
‘Well, I’m not going to tell you,’ Bella said stoutly. ‘I’m not going to spoil it for you. But I swear you’ll have a heart attack, literally.’ She fished her phone out of her pocket and brought up a website. ‘I’m going to email you the link. It lists the whole series in order.’
‘What are they? Go on, tease me, tempt me, tell me.’
‘Ghasts