which the world’s successive scenes had been but a gallery of faded pictures, again threw its enchantment over all their prospects. They felt like new-created beings in a new-created universe.
“We are young! We are young!” they cried, exultingly.
Youth, like the extremity of age, had effaced the strongly-marked characteristics of middle life and mutually assimilated them all. They were a group of merry youngsters almost maddened with the exuberant frolicsomeness of their years. The most singular effect of their gayety was an impulse to mock the infirmity and decrepitude of which they had so lately been the victims. They laughed loudly at their old-fashioned attire — the wide-skirted coats and flapped waistcoats of the young men and the ancient cap and gown of the blooming girl. One limped across the floor like a gouty grandfather; one set a pair of spectacles astride of his nose and pretended to pore over the black-letter pages of the book of magic; a third seated himself in an armchair and strove to imitate the venerable dignity of Dr. Heidegger. Then all shouted mirthfully and leaped about the room.
The widow Wycherly — if so fresh a damsel could be called a widow — tripped up to the doctor’s chair with a mischievous merriment in her rosy face.
“Doctor, you dear old soul,” cried she, “get up and dance with me;” and then the four young people laughed louder than ever to think what a queer figure the poor old doctor would cut.
“Pray excuse me,” answered the doctor, quietly. “I am old and rheumatic, and my dancing-days were over long ago. But either of these gay young gentlemen will be glad of so pretty a partner.”
“Dance with me, Clara,” cried Colonel Killigrew.
“No, no! I will be her partner,” shouted Mr. Gascoigne.
“She promised me her hand fifty years ago,” exclaimed Mr. Medbourne.
They all gathered round her. One caught both her hands in his passionate grasp, another threw his arm about her waist, the third buried his hand among the glossy curls that clustered beneath the widow’s cap. Blushing, panting, struggling, chiding, laughing, her warm breath fanning each of their faces by turns, she strove to disengage herself, yet still remained in their triple embrace. Never was there a livelier picture of youthful rivalship, with bewitching beauty for the prize. Yet, by a strange deception, owing to the duskiness of the chamber and the antique dresses which they still wore, the tall mirror is said to have reflected the figures of the three old, gray, withered grandsires ridiculously contending for the skinny ugliness of a shrivelled grandam. But they were young: their burning passions proved them so.
Inflamed to madness by the coquetry of the girl-widow, who neither granted nor quite withheld her favors, the three rivals began to interchange threatening glances. Still keeping hold of the fair prize, they grappled fiercely at one another’s throats. As they struggled to and fro the table was overturned and the vase dashed into a thousand fragments. The precious Water of Youth flowed in a bright stream across the floor, moistening the wings of a butterfly which, grown old in the decline of summer, had alighted there to die. The insect fluttered lightly through the chamber and settled on the snowy head of Dr. Heidegger.
“Come, come, gentlemen! Come, Madam Wycherly!” exclaimed the doctor. “I really must protest against this riot.”
They stood still and shivered, for it seemed as if gray Time were calling them back from their sunny youth far down into the chill and darksome vale of years. They looked at old Dr. Heidegger, who sat in his carved armchair holding the rose of half a century, which he had rescued from among the fragments of the shattered vase. At the motion of his hand the four rioters resumed their seats — the more readily because their violent exertions had wearied them, youthful though they were.
“My poor Sylvia’s rose!” ejaculated Dr. Heidegger, holding it in the light of the sunset clouds. “It appears to be fading again.”
And so it was. Even while the party were looking at it the flower continued to shrivel up, till it became as dry and fragile as when the doctor had first thrown it into the vase. He shook off the few drops of moisture which clung to its petals.
“I love it as well thus as in its dewy freshness,” observed he, pressing the withered rose to his withered lips.
While he spoke the butterfly fluttered down from the doctor’s snowy head and fell upon the floor. His guests shivered again. A strange dullness — whether of the body or spirit they could not tell — was creeping gradually over them all. They gazed at one another, and fancied that each fleeting moment snatched away a charm and left a deepening furrow where none had been before. Was it an illusion? Had the changes of a lifetime been crowded into so brief a space, and were they now four aged people sitting with their old friend Dr. Heidegger?
“Are we grown old again so soon?” cried they, dolefully.
In truth, they had. The Water of Youth possessed merely a virtue more transient than that of wine; the delirium which it created had effervesced away. Yes, they were old again. With a shuddering impulse that showed her a woman still, the widow clasped her skinny hands before her face and wished that the coffin-lid were over it, since it could be no longer beautiful.
“Yes, friends, ye are old again,” said Dr. Heidegger, “and, lo! the Water of Youth is all lavished on the ground. Well, I bemoan it not; for if the fountain gushed at my very doorstep, I would not stoop to bathe my lips in it — no, though its delirium were for years instead of moments. Such is the lesson ye have taught me.”
But the doctor’s four friends had taught no such lesson to themselves. They resolved forthwith to make a pilgrimage to Florida and quaff at morning, noon and night from the Fountain of Youth.
LEGENDS OF THE PROVINCE HOUSE
I. HOWE’S MASQUERADE
One afternoon last summer, while walking along Washington street, my eye was attracted by a sign-board protruding over a narrow archway nearly opposite the Old South Church. The sign represented the front of a stately edifice which was designated as the “OLD PROVINCE HOUSE, kept by Thomas Waite.” I was glad to be thus reminded of a purpose, long entertained, of visiting and rambling over the mansion of the old royal governors of Massachusetts, and, entering the arched passage which penetrated through the middle of a brick row of shops, a few steps transported me from the busy heart of modern Boston into a small and secluded courtyard. One side of this space was occupied by the square front of the Province House, three stories high and surmounted by a cupola, on the top of which a gilded Indian was discernible, with his bow bent and his arrow on the string, as if aiming at the weathercock on the spire of the Old South. The figure has kept this attitude for seventy years or more, ever since good Deacon Drowne, a cunning carver of wood, first stationed him on his long sentinel’s watch over the city.
The Province House is constructed of brick, which seems recently to have been overlaid with a coat of light-colored paint. A flight of red freestone steps fenced in by a balustrade of curiously wrought iron ascends from the courtyard to the spacious porch, over which is a balcony with an iron balustrade of similar pattern and workmanship to that beneath. These letters and figures — ”16 P.S. 79” — are wrought into the ironwork of the balcony, and probably express the date of the edifice, with the initials of its founder’s name.
A wide door with double leaves admitted me into the hall or entry, on the right of which is the entrance to the bar-room. It was in this apartment, I presume, that the ancient governors held their levees with vice-regal pomp, surrounded by the military men, the counsellors, the judges, and other officers of the Crown, while all the loyalty of the province thronged to do them honor. But the room in its present condition cannot boast even of faded magnificence. The panelled wainscot is covered with dingy paint and acquires