M.J. Fievre

Happy, Okay?


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a missing tooth.

      I think of old Caribbean men

      who stand in the back

      at weddings,

      their faces creased.

      They angle

      coins in their pockets

      to claim a grasp on calm.

      Their eyes go

      this way & that

      —this way & that.

      & the aunties

      are fat with thick

      whiskers on their chins.

      They wear wide-brimmed

      hats & dresses in bright

      yellows, reds, & whites.

      There will be

      no wedding for us.

      I am leaving you,

      & in the apartment we shared,

      there is nothing left

      on the walls

      but nails

      that held

      our engagement

      pictures. Everything

      I own has been hauled

      back to my childhood

      home.

      José Armando

      For days now,

      she’s worn

      a stranger’s face

      —tight, unreadable.

      & now she’s leaving.

      I don’t want her to go.

      Shadow

      Yesterday,

      everything was bedrock,

      determined & solid.

      You gripped

      each other’s hands firmly,

      surrounded

      by leaves in shades

      of green, yellow, red. You

      promised

      to love

      each other

      —until the kingdom,

      until the power

      & the glory,

      until the Amen.

      & today: this.

      She wants to throw

      something. But

      she doesn’t want

      that thing to break.

      Every now & then,

      she feels flashes

      of strangeness.

      It’s like lightning

      in the night,

      when suddenly

      the world turns bright

      & the harsh positions

      of objects are revealed.

      José Armando

      Every time

      she leaves me,

      she packs

      all my metaphors

      in a torn

      suitcase—all my cadences

      & hyperboles,

      even the syllables

      of my own name.

      I am left only

      with a thick,

      heightened

      silence,

      an absence

      of verb.

      I can no longer

      write about what used

      to be, about what is,

      & all the future

      holds out to me

      in promises

      is the blur of hot

      breath & the howling

      in my chest that can’t

      make its way

      through my throat.

      My torment

      cannot be

      translated into

      anaphora & dissonance.

      Every time

      you leave me,

      dark things crowd

      me: they don’t follow

      you into the Metro after

      your composed goodbyes

      & well-behaved tears:

      they yell

      & make accusations:

      they no longer

      speak in stanzas

      & pentameters: they move

      in pangs, shakes,

      little tiny heartbreaks

      imploding

      my ribcage, quick

      tides of ache,

      & moonless sleeps.

      My twisted body

      feels its every knot.

      In my veins:

      pure chaos.

      Every time

      you leave me,

      I am legion

      —until the sun rises

      or doesn’t, until the harsh

      light of the day moves

      like a slow rolling

      stone over the sky.

      I want to make you

      happy, okay?

      Paloma

      Every time I return

      from the therapist’s office,

      I walk around with letters

      in my head. Imagined

      but not composed,

      composed but not addressed,

      addressed but undelivered,

      delivered but unopened,

      opened but unread,

      read but misunderstood,

      & then I’m writing

      another letter

      & another.

      All of them

      about break-ups.

      Shadow

      Without her,

      you are the awful quiet

      of morning, before

      the first train leaves

      its