Rafael Sabatini

The Collected Works of Rafael Sabatini


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name!” growled a voice behind them. “Is the scoundrel at his political tricks again?”

      They turned to confront M. Binet. Moving with that noiseless tread of his, he had come up unheard behind them, and there he stood now in his scarlet suit of Pantaloon under a trailing bedgown, his little eyes glaring from either side of his false nose. But their attention was held by the voice of Scaramouche. He had stepped to the front of the stage.

      “He doubts it,” he was telling the audience. “But then this M. Leandre is himself akin to those who worship the worm-eaten idol of Privilege, and so he is a little afraid to believe a truth that is becoming apparent to all the world. Shall I convince him? Shall I tell him how a company of noblemen backed by their servants under arms — six hundred men in all — sought to dictate to the Third Estate of Rennes a few short weeks ago? Must I remind him of the martial front shown on that occasion by the Third Estate, and how they swept the streets clean of that rabble of nobles — cette canaille noble . . . ”

      Applause interrupted him. The phrase had struck home and caught. Those who had writhed under that infamous designation from their betters leapt at this turning of it against the nobles themselves.

      “But let me tell you of their leader — le pins noble de cette canaille, ou bien le plus canaille de ces nobles! You know him — that one. He fears many things, but the voice of truth he fears most. With such as him the eloquent truth eloquently spoken is a thing instantly to be silenced. So he marshalled his peers and their valetailles, and led them out to slaughter these miserable bourgeois who dared to raise a voice. But these same miserable bourgeois did not choose to be slaughtered in the streets of Rennes. It occurred to them that since the nobles decreed that blood should flow, it might as well be the blood of the nobles. They marshalled themselves too — this noble rabble against the rabble of nobles — and they marshalled themselves so well that they drove M. de La Tour d’Azyr and his warlike following from the field with broken heads and shattered delusions. They sought shelter at the hands of the Cordeliers; and the shavelings gave them sanctuary in their convent — those who survived, among whom was their proud leader, M. de La Tour d’Azyr. You have heard of this valiant Marquis, this great lord of life and death?”

      The pit was in an uproar a moment. It quieted again as Scaramouche continued:

      “Oh, it was a fine spectacle to see this mighty hunter scuttling to cover like a hare, going to earth in the Cordelier Convent. Rennes has not seen him since. Rennes would like to see him again. But if he is valorous, he is also discreet. And where do you think he has taken refuge, this great nobleman who wanted to see the streets of Rennes washed in the blood of its citizens, this man who would have butchered old and young of the contemptible canaille to silence the voice of reason and of liberty that presumes to ring through France to-day? Where do you think he hides himself? Why, here in Nantes.”

      Again there was uproar.

      “What do you say? Impossible? Why, my friends, at this moment he is here in this theatre — skulking up there in that box. He is too shy to show himself — oh, a very modest gentleman. But there he is behind the curtains. Will you not show yourself to your friends, M. de La Tour d’Azyr, Monsieur le Marquis who considers eloquence so very dangerous a gift? See, they would like a word with you; they do not believe me when I tell them that you are here.”

      Now, whatever he may have been, and whatever the views held on the subject by Andre–Louis, M. de La Tour d’Azyr was certainly not a coward. To say that he was hiding in Nantes was not true. He came and went there openly and unabashed. It happened, however, that the Nantais were ignorant until this moment of his presence among them. But then he would have disdained to have informed them of it just as he would have disdained to have concealed it from them.

      Challenged thus, however, and despite the ominous manner in which the bourgeois element in the audience had responded to Scaramouche’s appeal to its passions, despite the attempts made by Chabrillane to restrain him, the Marquis swept aside the curtain at the side of the box, and suddenly showed himself, pale but self-contained and scornful as he surveyed first the daring Scaramouche and then those others who at sight of him had given tongue to their hostility.

      Hoots and yells assailed him, fists were shaken at him, canes were brandished menacingly.

      “Assassin! Scoundrel! Coward! Traitor!”

      But he braved the storm, smiling upon them his ineffable contempt. He was waiting for the noise to cease; waiting to address them in his turn. But he waited in vain, as he very soon perceived.

      The contempt he did not trouble to dissemble served but to goad them on.

      In the pit pandemonium was already raging. Blows were being freely exchanged; there were scuffling groups, and here and there swords were being drawn, but fortunately the press was too dense to permit of their being used effectively. Those who had women with them and the timid by nature were making haste to leave a house that looked like becoming a cockpit, where chairs were being smashed to provide weapons, and parts of chandeliers were already being used as missiles.

      One of these hurled by the hand of a gentleman in one of the boxes narrowly missed Scaramouche where he stood, looking down in a sort of grim triumph upon the havoc which his words had wrought. Knowing of what inflammable material the audience was composed, he had deliberately flung down amongst them the lighted torch of discord, to produce this conflagration.

      He saw men falling quickly into groups representative of one side or the other of this great quarrel that already was beginning to agitate the whole of France. Their rallying cries were ringing through the theatre.

      “Down with the canaille!” from some.

      “Down with the privileged!” from others.

      And then above the general din one cry rang out sharply and insistently:

      “To the box! Death to the butcher of Rennes! Death to La Tour d’Azyr who makes war upon the people!”

      There was a rush for one of the doors of the pit that opened upon the staircase leading to the boxes.

      And now, whilst battle and confusion spread with the speed of fire, overflowing from the theatre into the street itself, La Tour d’Azyr’s box, which had become the main object of the attack of the bourgeoisie, had also become the rallying ground for such gentlemen as were present in the theatre and for those who, without being men of birth themselves, were nevertheless attached to the party of the nobles.

      La Tour d’Azyr had quitted the front of the box to meet those who came to join him. And now in the pit one group of infuriated gentlemen, in attempting to reach the stage across the empty orchestra, so that they might deal with the audacious comedian who was responsible for this explosion, found themselves opposed and held back by another group composed of men to whose feelings Andre–Louis had given expression.

      Perceiving this, and remembering the chandelier, he turned to Leandre, who had remained beside him.

      “I think it is time to be going,” said he.

      Leandre, looking ghastly under his paint, appalled by the storm which exceeded by far anything that his unimaginative brain could have conjectured, gurgled an inarticulate agreement. But it looked as if already they were too late, for in that moment they were assailed from behind.

      M. Binet had succeeded at last in breaking past Polichinelle and Rhodomont, who in view of his murderous rage had been endeavouring to restrain him. Half a dozen gentlemen, habitues of the green-room, had come round to the stage to disembowel the knave who had created this riot, and it was they who had flung aside those two comedians who hung upon Binet. After him they came now, their swords out; but after them again came Polichinelle, Rhodomont, Harlequin, Pierrot, Pasquariel, and Basque the artist, armed with such implements as they could hastily snatch up, and intent upon saving the man with whom they sympathized in spite of all, and in whom now all their hopes were centred.

      Well ahead rolled Binet, moving faster than any had ever seen him move, and swinging the long cane from which Pantaloon is inseparable.

      “Infamous scoundrel!” he roared. “You have ruined