to do by way of preparing for the visitors. Sir Christopher was occupied in consultations with his steward and lawyer, and in giving orders to every one else, especially in spurring on Francesco to finish the saloon. Mr. Gilfil had the responsibility of procuring a lady’s horse, Miss Assher being a great rider. Lady Cheverel had unwonted calls to make and invitations to deliver. Mr. Bates’s turf, and gravel, and flower-beds were always at such a point of neatness and finish that nothing extraordinary could be done in the garden, except a little extraordinary scolding of the under-gardener, and this addition Mr. Bates did not neglect.
Happily for Caterina, she too had her task, to fill up the long dreary daytime: it was to finish a chair-cushion which would complete the set of embroidered covers for the drawing-room, Lady Cheverel’s year-long work, and the only noteworthy bit of furniture in the Manor. Over this embroidery she sat with cold lips and a palpitating heart, thankful that this miserable sensation throughout the daytime seemed to counteract the tendency to tears which returned with night and solitude. She was most frightened when Sir Christopher approached her. The Baronet’s eye was brighter and his step more elastic than ever, and it seemed to him that only the most leaden or churlish souls could be otherwise than brisk and exulting in a world where everything went so well. Dear old gentleman! he had gone through life a little flushed with the power of his will, and now his latest plan was succeeding, and Cheverel Manor would be inherited by a grand-nephew, whom he might even yet live to see a fine young fellow with at least the down on his chin. Why not? one is still young at sixty.
Sir Christopher had always something playful to say to Caterina.
‘Now, little monkey, you must be in your best voice: you’re the minstrel of the Manor, you know, and be sure you have a pretty gown and a new ribbon. You must not be dressed in russet, though you are a singing-bird.’ Or perhaps, ‘It is your turn to be courted next, Tina. But don’t you learn any naughty proud airs. I must have Maynard let off easily.’
Caterina’s affection for the old Baronet helped her to summon up a smile as he stroked her cheek and looked at her kindly, but that was the moment at which she felt it most difficult not to burst out crying. Lady Cheverel’s conversation and presence were less trying; for her ladyship felt no more than calm satisfaction in this family event; and besides, she was further sobered by a little jealousy at Sir Christopher’s anticipation of pleasure in seeing Lady Assher, enshrined in his memory as a mild-eyed beauty of sixteen, with whom he had exchanged locks before he went on his first travels. Lady Cheverel would have died rather than confess it, but she couldn’t help hoping that he would be disappointed in Lady Assher, and rather ashamed of having called her so charming.
Mr. Gilfil watched Caterina through these days with mixed feelings. Her suffering went to his heart; but, even for her sake, he was glad that a love which could never come to good should be no longer fed by false hopes; and how could he help saying to himself, ‘Perhaps, after a while, Caterina will be tired of fretting about that cold-hearted puppy, and then …’
At length the much-expected day arrived, and the brightest of September suns was lighting up the yellowing lime-trees, as about five o’clock Lady Assher’s carriage drove under the portico. Caterina, seated at work in her own room, heard the rolling of the wheels, followed presently by the opening and shutting of doors, and the sound of voices in the corridors. Remembering that the dinner-hour was six, and that Lady Cheverel had desired her to be in the drawing-room early, she started up to dress, and was delighted to find herself feeling suddenly brave and strong. Curiosity to see Miss Assher—the thought that Anthony was in the house—the wish not to look unattractive, were feelings that brought some colour to her lips, and made it easy to attend to her toilette. They would ask her to sing this evening, and she would sing well. Miss Assher should not think her utterly insignificant. So she put on her grey silk gown and her cherry coloured ribbon with as much care as if she had been herself the betrothed; not forgetting the pair of round pearl earrings which Sir Christopher had told Lady Cheverel to give her, because Tina’s little ears were so pretty.
Quick as she had been, she found Sir Christopher and Lady Cheverel in the drawing-room chatting with Mr. Gilfil, and telling him how handsome Miss Assher was, but how entirely unlike her mother—apparently resembling her father only.
‘Aha!’ said Sir Christopher, as he turned to look at Caterina, ‘what do you think of this, Maynard? Did you ever see Tina look so pretty before? Why, that little grey gown has been made out of a bit of my lady’s, hasn’t it? It doesn’t take anything much larger than a pocket-handkerchief to dress the little monkey.’
Lady Cheverel, too, serenely radiant in the assurance a single glance had given her of Lady Assher’s inferiority, smiled approval, and Caterina was in one of those moods of self possession and indifference which come as the ebb-tide between the struggles of passion. She retired to the piano, and busied herself with arranging her music, not at all insensible to the pleasure of being looked at with admiration the while, and thinking that, the next time the door opened, Captain Wybrow would enter, and she would speak to him quite cheerfully. But when she heard him come in, and the scent of roses floated towards her, her heart gave one great leap. She knew nothing till he was pressing her hand, and saying, in the old easy way, ‘Well, Caterina, how do you do? You look quite blooming.’
She felt her cheeks reddening with anger that he could speak and look with such perfect nonchalance. Ah! he was too deeply in love with some one else to remember anything he had felt for her. But the next moment she was conscious of her folly;—‘as if he could show any feeling then!’ This conflict of emotions stretched into a long interval the few moments that elapsed before the door opened again, and her own attention, as well as that of all the rest, was absorbed by the entrance of the two ladies.
The daughter was the more striking, from the contrast she presented to her mother, a round-shouldered, middle-sized woman, who had once had the transient pink-and-white beauty of a blonde, with ill-defined features and early embonpoint. Miss Assher was tall, and gracefully though substantially formed, carrying herself with an air of mingled graciousness and self-confidence; her dark-brown hair, untouched by powder, hanging in bushy curls round her face, and falling in long thick ringlets nearly to her waist. The brilliant carmine tint of her well-rounded cheeks, and the finely-cut outline of her straight nose, produced an impression of splendid beauty, in spite of commonplace brown eyes, a narrow forehead, and thin lips. She was in mourning, and the dead black of her crape dress, relieved here and there by jet ornaments, gave the fullest effect to her complexion, and to the rounded whiteness of her arms, bare from the elbow. The first coup d’œil was dazzling, and as she stood looking down with a gracious smile on Caterina, whom Lady Cheverel was presenting to her, the poor little thing seemed to herself to feel, for the first time, all the folly of her former dream.
‘We are enchanted with your place, Sir Christopher,’ said Lady Assher, with a feeble kind of pompousness, which she seemed to be copying from some one else: ‘I’m sure your nephew must have thought Farleigh wretchedly out of order. Poor Sir John was so very careless about keeping up the house and grounds. I often talked to him about it, but he said, “Pooh pooh! as long as my friends find a good dinner and a good bottle of wine, they won’t care about my ceilings being rather smoky.” He was so very hospitable, was Sir John.’
‘I think the view of the house from the park, just after we passed the bridge, particularly fine,’ said Miss Assher, interposing rather eagerly, as if she feared her mother might be making infelicitous speeches, ‘and the pleasure of the first glimpse was all the greater because Anthony would describe nothing to us beforehand. He would not spoil our first impressions by raising false ideas. I long to go over the house, Sir Christopher, and learn the history of all your architectural designs, which Anthony says have cost you so much time and study.’
‘Take care how you set an old man talking about the past, my dear,’ said the Baronet; ‘I hope we shall find something pleasanter for you to do than turning over my old plans and pictures. Our friend Mr. Gilfil here has found a beautiful mare for you and you can scour the country to your heart’s content. Anthony has sent us word what a horsewoman you are.’
Miss Assher turned to Mr. Gilfil with her most beaming smile, and expressed her thanks with the elaborate graciousness of