C. T., F 531, Ho. Fame, 717. The Trinity MS. gets out of the difficulty by a material alteration of the line, so that it there becomes—'In any wyse, nether preuy nor perte.'
§ 48. XVII. The Testament of Cresseid.
I do not suppose this was ever supposed to be Chaucer's even by Thynne. Line 64—'Quha wait gif all that Chaucer wrait was trew?'—must have settled the question from the first. No doubt Thynne added it simply as a pendant to Troilus, and he must have had a copy before him in the Northern dialect, which he modified as well as he could. Nevertheless, he gives us can for the Southern gan in l. 6, wrate for wrote in l. 64, and has many similar Northern forms.
The poem was printed at Edinburgh in 1593 with the author's name. The title is as follows—¶ The Testament of CRESSEID, Compylit be M. Robert Henrysone, Sculemai-ster in Dunfermeling. Imprentit at Edin = burgh be Henrie Charteris. MD. XCIII. The text is in 4to, ten leaves, black-letter. Only one copy has been preserved, which is now in the British Museum; but it was reprinted page for page in the volume presented by Mr. Chalmers to the Bannatyne Club in 1824. The present edition is from this reprint, with very few modifications, such as sh for sch, and final -y for final -ie in immaterial cases. All other modifications are accounted for in the footnotes below. No early MS. copy is known; there was once a copy in the Asloan MS., but the leaves containing it are lost.
Thynne's print must have been a good deal altered from the original, to make it more intelligible. It is odd to find him altering quhisling (20) to whiskyng, and ringand (144) to tynkyng. I note all Thynne's variations that are of any interest. He must have been much puzzled by aneuch in (which he seems to have regarded as one word and as a past participle) before he turned it into enewed (110). But in some cases Thynne gives us real help, as I will now point out.
In l. 48, E. (the Edinburgh edition) has—'Quhill Esperus reioisit him agane'; where Esperus gives no good sense. But Thynne prints esperous, which at once suggests esperans (hope), as opposed to wanhope in the preceding line.
In l. 155, E. has frosnit, which Laing interprets 'frozen,' as if the pp. of freeze could have both a strong and weak pp. suffix at the same moment! But Thynne has frounsed, evidently put for fronsit, as used elsewhere by Henryson in The Fable of the Paddock and the Mous, l. 43:—'The Mous beheld unto her fronsit face.' A printer's error of sn for ns is not surprising.
In ll. 164, 178, 260, E. has gyis or gyse; but Thynne has preserved the true Chaucerian word gyte, which the printer evidently did not understand. It is true that in l. 164 he turned it into gate; but when he found it recur, he let it alone.
In l. 205, E. has upricht (!); which Thynne corrects.
In l. 290, Th. has iniure for iniurie, and I think he is right, though I have let injurie stand; iniure is Chaucer's form (Troil. iii. 1018), and it suits the scansion better.
In l. 382, Thynne corrects Unto to To; and in l. 386, has Beuer for bawar. In l. 441, he has syder for ceder. In l. 501, he has plyte for plye, where a letter may have dropped out in E.; but see the note (p. 525). In l. 590, his reading tokenyng suggests that takning (as in E.) should be takining or takinning; the line will then scan. The contracted form taikning occurs, however, in l. 232, where the word is less emphatic.
Note further, that in l. 216 the original must have had Philogoney (see the Note). This appears in the astonishing forms Philologie (E.), and Philologee (Th.). Laing prints Phlegonie, which will neither scan nor rime, without any hint that he is departing from his exemplar. All his corrections are made silently, so that one cannot tell where they occur without reference to the original.
For further information concerning Robert Henryson, schoolmaster of Dunfermline, see the preface to David Laing's edition of The Poems and Fables of Robert Henryson, Edinburgh, 1865; and Morley's English Writers, 1890, vol. vi. p. 250. He is supposed to have been born about 1425, and to have died about 1500. On Sept. 10, 1462, the Venerable Master Robert Henrysone, Licentiate in Arts and Bachelor in Decrees, was incorporated or admitted a member of the newly founded university of Glasgow; and he is known to have been a notary public. Perhaps The Testament of Cresseid was written about 1460. It is a rather mature performance, and is his best piece. Perhaps it is the best piece in the present volume.
§ 49. XVIII. The Cuckoo and the Nightingale.
Of this piece there are several MSS., which fall into two main classes: (A)—Ff. (Ff. 1. 6, in the Camb. Univ. Library); T. (Tanner 346); Th. (MS. used by Thynne, closely allied to T.); and (B)—F. (Fairfax 16), and B. (Bodley 638), which are closely allied. There is also S. (Selden, B. 24) imperfect, which has readings of its own[20]. Of these groups, A is the better, and MS. Ff. is, in some respects, the most important. Nevertheless, MS. Ff. has never been collated hitherto, so that I am able to give a somewhat improved text. For example, in all former editions lines 12 and 13 are transposed. In l. 180, the reading haire (as in Bell and Morris) is somewhat comic (see the Note). In l. 203, MS. Ff. restores the true reading hit, i.e. hitteth. Bell, by some accident, omits the stanza in which this word occurs. In vol. i. p. 39, I took occasion to complain of the riming of now with rescow-e in ll. 228–9, according to Bell. The right reading, however, is not now, but avow-e, which rimes well enough. MS. Selden has allowe, which Morris follows, though it is clearly inferior and is unsupported. On the other hand, MS. Selden correctly, and alone, has leve in l. 237; but the confusion between e and o is endless, so that the false reading loue creates no surprise.
This poem is very interesting, and has deservedly been a favourite one. It is therefore a great pleasure to me to have found the author's name. This is given at the end of the poem in MS. Ff. (the best MS., but hitherto neglected), where we find, in firm distinct letters, in the same handwriting as the poem itself, the remark—Explicit Clanvowe. Remembering that the true title of the poem is 'The Book of Cupid, God of Love[21],' I applied to Dr. Furnivall, asking him if he had met with the name. He at once referred me to his preface to Hoccleve's Works, p. x, where Sir John Clanvowe and Thomas Hoccleve are both mentioned in the same document (about A.D. 1385). But Sir John Clanvowe died in 1391, and therefore could not have imitated the title of Hoccleve's poem, which was not written till 1402. Our poet was probably Sir Thomas Clanvowe, concerning whom several particulars are known, and who must have been a well-known personage at the courts of Richard II and Henry IV. We learn from Wylie's Hist. of Henry IV, vol. iii. p. 261, that he was one of twenty-five knights who accompanied John Beaufort (son of John of Gaunt) to Barbary in 1390. This Sir Thomas favoured the opinions of the Lollards, but was nevertheless a friend of 'Prince Hal,' at the time when the prince was still friendly to freethinkers. He seems to have accompanied the prince in the mountains of Wales; see Wylie, as above, iii. 333. In 1401, he is mentioned as being one of 'vi Chivalers' in the list of esquires who were summoned to a council by king Henry IV; see the Acts of the Privy Council, ed. Nicolas, temp. Henry IV, p. 162. (It may be noted that Sir John Clanvowe was a witness, in 1385, to the will of the widow of the Black Prince; see Testamenta Vetusta, ed. Nicolas.)
§ 50. It now becomes easy to explain the reference to the queen at Woodstock, which has never yet been accounted for. The poem begins with the words—'The God of Love! Ah benedicite,' quoted from Chaucer, the title of the poem being 'The Book of Cupid, God of Love,' as has been said; and this title was imitated from Hoccleve's poem of 1402. But there was no queen of England after Henry's accession till Feb. 7, 1403, when the king married Joan of Navarre; and it was she who held as a part of her dower the manor and park of Woodstock; see Wylie, as above, ii. 284. Hence the following hypothesis will suit the facts—namely, that the poem, imitating Chaucer's manner, and having a title imitated from Hoccleve's poem of 1402, was written by Sir Thomas Clanvowe, who held Lollard opinions[22] and was a friend (at one time) of Henry of Monmouth. And it was addressed to Joan of Navarre, Henry's stepmother, queen of England from 1403 to 1413, who held as a part of her dower the manor of Woodstock. If so, we should expect it to have