John Addington Symonds

Italian Renaissance


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of quality, and matriculate into one of the arts. Which thing, while it partly allayed the civil strife of Florence, almost wholly extinguished all noble feeling in the souls of the Florentines; and the power and haughtiness of the city were no less abated than the insolence and pride of the nobles, who since then have never lifted up their heads again. These arts, the greater as well as the lesser, have varied in numbers at different times; and often have not only been rivals, but even foes, among themselves; so much so that the lesser arts once got it passed that the Gonfalonier should be appointed only from their body. Yet after long dispute it was finally settled that the Gonfalonier could not be chosen from the lesser, but that he should always rank with the greater, and that in all other offices and magistracies, the lesser should always have a fourth and no more. Consequently, of the eight Priors, two were always of the lesser; of the Twelve, three; of the Sixteen, four; and so on through all the magistracies.

      Varchi: Storia Fiorentina, lib. ix. chs. 48, 49, 46.

      As for natural abilities, I for my part cannot believe that any one either could or ought to doubt that the Florentines, even if they do not excel all other nations, are at least inferior to none in those things to which they give their minds. In trade, whereon of a truth their city is founded, and wherein their industry is chiefly exercised, they ever have been and still are reckoned not less trusty and true than great and prudent: but besides trade, it is clear that the three most noble arts of painting, sculpture, and architecture have reached that degree of supreme excellence in which we find them now, chiefly by the toil and by the skill of the Florentines, who have beautified and adorned not only their own city but also very many others, with great glory and no small profit to themselves and to their country. And, seeing that the fear of being held a flatterer should not prevent me from testifying to the truth, though this will turn to the highest fame and honor of my lords and patrons, I say that all Italy, nay the whole world, owes it solely to the judgment and the generosity of the Medici that Greek letters were not extinguished to the great injury of the human race, and that Latin literature was restored to the incalculable profit of all men.

      Their mode of life is simple and frugal, but wonderfully and incredibly clean and neat; and it may be said with truth that the artisans and handicraftsmen live at Florence even better than the citizens themselves: for whereas the former change from tavern to tavern, according as they find good wine, and only think of joyous living; the latter in their homes, with the frugality of merchants, who for the most part make but do not spend money, or with the moderation of orderly burghers, never exceed mediocrity. Nevertheless there are not wanting families, who keep a splendid table and live like nobles, such as the Antinori, the Bartolini, the Tornabuoni, the Pazzi, the Borgherini, the Gaddi, the Rucellai, and among the Salviati, Piero d'Alamanno and Alamanno d'Jacopo, and some others. At Florence every one is called by his proper name or his surname; and the common usage, unless there be some marked distinction of rank or age, is to say thou and not you; only to knights, doctors, and prebendaries is the title of messere allowed; to