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Vinzenz/Vonderau, Patrick (Hg.): Films that Work, Amsterdam: Amsterdam University Press 2011.

      James, Nick: »Berlin Film Festival – Review« in: The Observer vom 19. Februar 2011, http://www.guardian.co.uk/film/2011/feb/20/berlin-film-festival-review

      Joseph, Branden Wayne/Walley, Jonathan/Eamon, Christopher (Hg.): Anthony McCall: The Solid Light Films and Related Works, Evanston, Illinois: Northwestern University Press 2005.

      Kermode, Mark: »Come in Number 3D, your time is up« BBC Beitrag vom 23. Dezember 2009. http://www.bbc.co.uk/blogs/markkermode/2009/12/come_in_number_3d_your_time_is.html

      Lenoir, Tim: »All but war is simulation: The military–entertainment complex«, Configurations 8:3 (2000), S. 289–335.

      Lippit, Akira Mizuta: »Three Phantasies of Cinema – Reproduction Mimesis Annihilation«, Paragraph, 22:3 (1999), S. 213-227.

      Lorenz, Dieter: Das Kaiserpanorama. Ein Unternehmen des August Fuhrmann, München: Münchner Stadtmuseum 2010.

      Manovich, Lev: »To Lie and to Act: Cinema and Telepresence«, in: Thomas Elsaesser/Kay Hoffmann (Hg.), Cinema Futures: Cain, Abel or Cable? The Screen Arts in the Digital Age, Amsterdam, Amsterdam University Press 1998, S. 189-99.

      McHugh, Molly: »The 2012 London Olympics is 3D TVs' big opportunity«, in: Yahoo News vom 15. Februar 2012, http://news.yahoo.com/2012-london-olympics-3d-tvs-big-opportunity-011206230.html

      Melvin, Don: »Activists Present Anti-ACTA petition to EU«, in: Associated Press vom 28. Februar 2011, http://www.google.com/hostednews/ap/article/ALeqM5goN98YMyvwPqQiW31gBs8U-xnvIg?docId=7afd9eef4f6b44acbb43b1029820bc87

      Metz, Christian: »Aural Objects«, Yale French Studies No. 60, Cinema/Sound (1980), S. 24-32.

      Michaelis, Anthony: Research Films in Biology, Anthropology, Psychology and Medicine, New York: Academic Press 1955.

      Mitchell, W. J. T.: Picture Theory, Chicago und London: University of Chicago Press 1994.

      Mitchell, W.J.T.: What do Pictures Want, Chicago: University of Chicago Press 2006.

      Musser, Charles: The Emergence of Cinema, New York: Scribner 1990.

      N.N.: http://aamgroup.com/products/k2vi.cfm

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      N.N.: http://digitalcinemablog.blogspot.com/2009/04/jeffrey-katzenberg-jerry-falwell-of-3-d.html

      N.N.: http://www.expcinema.com/site/index.php?option=com_virtuemart&page=shop.product_details&flypage=shop.flypage&product_id=363

      N.N.: http://www.fastcompany.com/1731055/oscars-avatar-neurocinema-neuromarketing

      N.N.: http://www.gizmag.com/boeing-3d-imaging-camera/14489

      N.N.: http://www.hamburgerbahnhof.de/exhibition.php?id=32936&lang=de

      N.N.: http://hollywoodinhidef.com/2011/09/cameron-tv-will-drive-3d-success/

      N.N.: http://hydrochart.dk/ivs_3d.html

      N.N.: http://www.pcmag.com/article2/0,2817,2365010,00.asp

      N.N.: http://pulfrich.siuc.edu/

      N.N.: http://www.qps.nl/display/fledermaus/main

      N.N.: http://www.qps.nl/display/fledermaus/main;jsessionid=670E5EE11BF1B538EF55267912FF8B11

      N.N.: http://www.seeingwithsound.com/

      N.N.: http://vangoghimaging.com/

      N.N.: http://www.vanityfair.com/online/oscars/2009/03/jeffrey-katzenberg-on-3d-depth-becomes-him

      N.N.: http://www.virtualpeace.org

      Noë, Alva: Action in Perception, Cambridge, MA: The MIT Press 2004.

      Oettermann, Stephan: Das Panorama, Die Geschichte eines Massenmediums, Frankfurt: Syndikat 1980.

      Panofsky, Erwin: »Die Perspektive als symbolische Form«, in: Vorträge der Bibliothek Warburg, 1924-25, Leipzig, Berlin 1927, S. 258-330. Reprint in: Ders.: Aufsätze zu Grundfragen der Kunstwissenschaft, Berlin: Volker Spieß 1985, S. 99167.

      Parkes, Christopher: »Science fiction the old-fashioned way«, in: Financial Times vom 18./19. Mai 2002.

      Pierson, Michele/ James, David E./Arthur, Paul (Hg.), Optic Antics: The Cinema Of Ken Jacobs, New York: Oxford University Press 2011.

      Randall, Kevin: »Rise of Neurocinema: How Hollywood Studios Harness Your Brainwaves to Win Oscars«, http://www.fastcompany.com/1731055/oscars-avatar-neurocinema-neuromarketing

      Rodek, Hans-Georg: »›Oben‹ beweist – 3D ist keine Kino-Sensation«, in: Die Welt vom 13. Mai 2009, http://www.welt.de/kultur/article3732236/Oben-beweist-3D-ist-keine-Kino-Sensation.html

      Roland Shearer, Rhonda et al., »Duchamp's Revolutionary Alternative in the context of competing optical experiments«, in: Tout-fait 1:3 (2000). Online: http://www.toutfait.com/issues/issue_3/Multimedia/Shearer/

      Salazard, Bruno et al.: »Auguste and Louis Lumière, inventors at the