Colleen M. Conway

A Contemporary Introduction to the Bible


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       Chapter Outline

       Chapter Overview

       Why History Is Important in Studying the Bible

       The Geography and Major Characters of the Biblical Drama

       Major Periods in the Biblical Drama

       Multiple Contexts, Multiple Methods

       Looking Forward to the Big Picture

       Chapter One Review

       Resources for Further Study

       Appendix: Israel’s History and Empires

      Chapter Overview

       Paper and pen icon. EXERCISE

      Write a half-page to one-page statement or mini-autobiography of your past encounters with the Bible. Which parts of it have been most central in such encounters? Have you studied the Bible in an academic context before? Have you had unusually positive or negative experiences with the Bible or people citing it?

      Why History Is Important in Studying the Bible

      At first glance, the Bible is one of the most familiar of books. Many families own a copy. Every weekend, Jews and Christians read from it at worship. There are echoes of the Bible in all kinds of music, from Handel’s Messiah to reggae and hip hop. Popular expressions, such as “Thou shalt not” or “Love thy neighbor as thyself,” come from the Bible. Movies are often filled with biblical allusions. And you can still find a copy of the Bible, or at least the New Testament and Psalms, in many hotels.

      AD, BC, BCE, AND CE

      The older expressions for dates, BC and AD, are explicitly Christian in orientation. BC comes from “Before Christ,” and AD comes from the Latin anno Domini, which means “in the year of the Lord.”

      Over the past decades scholarly works have tended to use the more neutral terms BCE and CE, which refer to “Before the Common Era” and “Common Era,” respectively. The year references are the same, but the labels are not specifically Christian.

      This Introduction uses the standard scholarly BCE and CE abbreviations.

      The ancient aspects of the Bible are part of what give it its holy aura, but they also make biblical texts difficult to understand. If someone sees a reference to “Cyrus” in Isa 44:28 and 45:1, that person will likely have few associations with who “Cyrus” was and what he meant to the writer of this text. Most readers have even fewer associations with places and empires mentioned in the Bible, such as “Ephraim” or “Assyria.” Usually, their only acquaintance with “Egypt” or “Babylonia” is a brief discussion in a world history class. Furthermore, certain types of writing mean little or nothing to contemporary readers, for example, the long genealogies of Genesis or the detailed instructions for sacrificing animals in Leviticus. As a result of all this unfamiliarity, few people who try to read the Bible from beginning to end actually get very far, and those who do often fail to make much sense out of what they have read.

      The goal of this book is to give you keys to understand the Bible, including its more obscure parts. Names (e.g. Cyrus), events (e.g. the liberation from Babylonian captivity), and general perspectives in the Bible that previously you might have skipped past or not noticed should come into focus and make sense. For many, the experience of reading the Bible in historical context is much like finally getting to see a movie in color that beforehand had only been available in black and white. It is not at all that the meaning of the Bible can or should be limited to the settings in which it was originally composed. On the contrary: along the way we will see how the Bible is an important document now, thanks to the fact that it has been radically reinterpreted over centuries, first by successive communities of ancient Israelites and later by Jewish and Christian communities who cherished the Bible. Still, learning to see scriptures in relation to ancient history and culture can make previously bland or puzzling biblical texts come alive.

      To pursue this historical approach, we will not read the Bible from beginning to end. Instead, we will look at biblical texts in relationship to when they were written. This means that, rather than starting with the creation stories of Genesis 1–3, this book starts with remnants of Israel’s earliest oral traditions. These are songs and sagas from the time when Israel had no cities and was still a purely tribal people. Our next stop will be texts from the rise of Israel’s first monarchies, particularly certain “royal” psalms that celebrate God’s choice of Jerusalem and anointing of kings there. When we move to the New Testament, it will mean beginning with Paul’s letters, all of which were written before the gospels. Overall, as we move through Israelite and early Christian history, we will see how biblical texts reflect the very different influences of successive world empires: the Mesopotamian empires of Assyria and Babylonia, and then the Persian, Hellenistic (Greek), and Roman empires. The common thread will be historical, and this will mean starting most chapters with some discussion of the historical and cultural context of the biblical texts to be discussed there.

Steps in the Bible’s own story This textbook’s discussion of biblical texts and traditions in the order they were created
Creation, flood, and other materials about the origins of the world (Genesis 1–11) See below
Stories of Israel’s patriarchs